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Ancla 1 2015 2016 2017 2018 2019 2020 2021 The Decemberers January to March Hot Snakes - Jose Gonzalez - PJ Harvey - MGMT The Fratellis - Albert Hammond Jr. - Screaming Females - Jonathan Wilson - David Byrne - Jimi Hendrix - Caroline Rose - Calexico - The Decemberists Beth Had & Joe Bonamassa - Dead Meadow - Jack White - Ocean Alley - Sue Foley - Stone Temple Pilots - US Girls - Neil Young - Franz Ferdinand - The Decemberists Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 snow patrol A Perfect Circle, Spear Of Destiny, The Damned, Donovan Woods, Danny Bryant, Black Stone Cherry, Triptides, Ganser, Jamie Lynn Vessels, Ben Harper And Charlie Musselwhite, The Voidz, Green Seagull, Island, Stone Sour, Sting & Shaggy, MIEN, Melvins, Van Morrison & Joey DeFrancesco, Pennywise, Eels, Okkervil River, Thirty Seconds to Mars, Manic Street Preachers, Brothers Osborne and Band of Horses April Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 The roses May Gaz Coombes, Beginning, Ill, Iceage, DeWolff, Family of the Year, Out by Nine, Daniel Blumberg, Hit Bargain, Peals, Tents, Ament, Arctic Monkeys, Las Rosas, Samara Lubelski, Courtney Barnett, Gazpacho, Five Finger Death Punch , The Magic Numbers, Wax Chattels, Wussy, High Sunn, Wooden Shjips, The Brian Jonestown Massacre, Snow Patrol, Deeper, Reef, The Rhett Yocom Blues Band, Smile Empty Soul, Lunatic Soul, Xavier Rudd, Obach Obacht Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 5 (extra) 00:00 / 01:04 Wilco June Roger Daltrey, Muddy Ruckus, Laura Carbone, Father John Misty, Vital Idles, Beach Skulls, Holy Esque, John Parish, Dave Matthews Band, Howlin Rain, M. Ward, Lunatic Soul, Gin Blossoms, Rolling Blackouts Coastal Fever, Arthur Buck, Johnny Marr, Mike Shinoda, Buddy Guy, Wilko Johnson, Nick Lowe, Brandenburg, Nine Inch Nails, Billy Raffoul, Cats On The Beach, Don't Worry, Jim James, and Bullet For My Valentine Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Punch Brothers The Nude Party. 77:78. Dirty Projectors. The Nude Party. Cowboy Junkies. The Lumineers. Josie Paulus. Yawning Man. Ovlov. Punch Brothers. Wild Pink. Rod Piazza. Face to Face. Rise Against. Dirty Dave Osti. Boz Scaggs. Kate Vargas. Underworld & Iggy Pop. The Soft Underground. Deaf Wish. Self Defense Family. Shoshin. Willie Nile July Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 mewithoutyou Spider Bags - Ila Minori - Lucero - Campdogzz - Giant Sand - The Coral - Me & Marie - mewithoutyou - Death Cab For Cutie - Animal Collective - Our Girl - Oh Sees - Dark Fair - Mark Lanegan & Duke Garwood - Murder By Death - Alice In Chains - Interpol - Black Mirrors - The Kooks - Ian Gillan - Delgres - The Pineapple Thief August Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Kurt Vile Dadweed - Adrian T. Bell - Say Hi - Aspiga - The Molochs - Eric McFadden - INK - Everlast - Paul Simon - High Dukes - Paul McCartney - Kurt Vile - Escape-ism - Cedric Burnside - Brant Bjork - Alejandro Escovedo - Andrew Stockdale - Hozier - Federal Charm - Imagine Dragons - Ann Wilson - Slothrust - Hawkwind - Thrice - Slash September/1 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Joe Bonamassa Please the Trees, Will Courtney, Colin James, Billy F Gibbons, Motorama, Joe Bonamassa, Joyce Manor, Elysian Fields, All Them Witches, Anti-Flag, Mudhoney, Cypress Hill, The Living End, John Butler Trio, Viagra Boys, Spain , alt-J, Rod Stewart, Tony Joe White, Menace Beach, Exploded View, and The O'Reillys and the Paddyhats september/2 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 yoko ono Estrons - Wheel In The Sky - Tokyo Police Club - mewithoutyou - Ron Gallo - The Marcus King Band - Sari Schorr - Death Valley Girls - Cat Power - TTNG - Kristin Hersh - Medicine Boy - Drenge - Noun - Eric Clapton - Kurt Vile - Lambert & Dekker - John Hiatt - Two Rocks Rye - Edie Brickell - Whispering Sons - Twenty One Pilots - Blues Traveler - Valley Maker - Hillstomp, Blue Orchids, Cloud Nothings, The Moles, Yoko Ono, Greta Van Fleet, Queen, Ty Segall, The Ting Tings, Eric Bibb, David Cros, Martin Barre, Thom Yorke and Razorlight October Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 5 00:00 / 01:04 Bloque 6 00:00 / 01:04 de brasil Mumford & Sons The Wheel Workers, Mikey Mike, Adelitas Way, Moonface, Muse, Dear Woodland Creatures, Marianne Faithfull, Imagine Dragons, It Looks Sad, The Wave Pictures, J Mascis, Mick Harvey, Esben and the Witch, The Police, Cosmogonica, Art Brut , Andrés Calamaro, Blackberries, DOG Power, Mark Knopfler, Mumford & Sons, Arcadian Child and Ex:Re November Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04

Pipo Lernoud, Resorte Hornos, Alfredo Rosso y Claudio Kleiman hablan de la mítica revista Expreso Imaginario EXPRESS JORGE gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff NIBBLE HAIR Memories (Horace Fontova) Jorge's Texts and Covers Photos Farewell Letter Brief history (Pipo Lernoud) Spring Alfredo Rosso super rag Claudio Kleiman Envelope No. 0 The Express CD Ancla 1 Brief History of the Imaginary Express When finally, after months of searching and failed tests, the publisher-financier, the lawyer Alberto Ohanian, appeared, it was already summer. 1976 came upon us, and with it the military coup by Videla and his henchmen. We come together and ask ourselves: What to do? The decision was to go ahead, see how the hand came, not talk about stinging topics: politics, religion, drugs. Saying things through others, with literary and artistic metaphors. “There is a whole world outside of what is prohibited, and we are going to explore it so as not to suffocate. Let's look like a music magazine in the dull eyes of the censors.” The editorial meetings, crazy and creative, were what today would be called brain storming, except that the ideas and storms were very extreme, driven by Jorge's brilliant imagination and the corrosive humor of Negro Fontova. The newsroom was like a strange island of freedom in the middle of a silent and frightened city. It is already known that the covers of the Expreso were an indelible mark of the magazine, and a touch of color and madness in the monochrome and censored kiosks of the Process. The idea was that each cover was different, and told a story of its own. The famous tomato shot at Travolta, a symbol of the pasatista culture that the dictatorship wanted to impose, is an example SOME NOTABLE NOTES The Punk Note Punk was emerging against everything in England and the USA, and Alfredo brought every day the news that he was eagerly looking for in the foreign media, in times when there was no internet or computers, oddly enough today. We didn't know if reflecting the countercultural violence of English punk with its defiant lyrics and gory stories would be acceptable to the process mentality. But we didn't think too much either. We started from the assumption that almost anything could be said if it was in the words of foreign authors who belonged to the Western and Christian world, and, after all, Johnny Rotten was a foreigner. It occurred to me from the second issue to make a section called "Practical guide to inhabit the planet Earth", to speak for the first time of "applied ecology". Although read today the section seems naive, over the years I have met many people who became interested in food and natural medicine from those few pages, and the organic farming movement in Argentina arose from the readers of the Guide and the meticulous notes of José Luis Damato. Actually, I think we have to thank Damato for accustoming us to serious research and reliable information on "alternative" issues such as climate change (in 1978!!), renewable energy, genetic manipulation, criticism of nuclear power etc. In the nuclear field, José Luis made a devastating note from the movie China Syndrome, and for a moment we thought we were getting into trouble, since nuclear energy was always a private and secret business of the military, and at that time more than ever. Basabru's notes on jazz and avant-garde music and Claudio's on North American rock and folk also had serious research and detailed information. The idea of saying EVERYTHING about an artist resulted in pages and pages of typography that we called “gouging out your eyes” because no author wanted to cut off what they had worked so hard to figure out. It always seemed to us that as a good rock magazine, we had to talk about the greats of tango, folklore, Brazilian music or salsa. That is, it is not about musical genres, but about people who show new paths. It was so that on the sixth cover of the Expreso, before any rock musician, we put Piazzolla, with an extensive report. The brilliant Egberto Gismonti and Hermeto Paschoal from Brazil and Opa, a group of the Fatorrusso brothers from Uruguay, graced the cover of a popular magazine anywhere in the world for the first time. Egberto, with the history of his sound searches among the Amazonian Xingu tribes, mixed with his high-level classical and jazz training, caused surprise and a legion of followers. Hermeto showed Argentines for the first time that great technology was not needed -the central concern of the rockers of the time- to invent amazing music, and he kept Alfredo, Claudio, Fernando and me stunned with a one-hour recital with two soda bottles. Damato made a meticulous, many-page note on Jung's theory of the Collective Unconscious, picturing it with similar images from all cultures and times. From there came Charly's inspiration to compose the song, which speaks of "the eaves of the mind." Diana Bellessi, today an Argentine poet laureate, made a series of reports on aboriginal poetry and the singers of the ravines, working under the guidance of Leda Valladares. He also covered the various aboriginal cultures of the Americas, told as living and inspiring experiences. From the first issues, at the request of Pistocchi, we searched for creative cartoonists who would generate fun and direct stories. Rolando Rojo, Gustavo Dall'Occhio, Diego Vegezzi, Spring Hornos, Rubén Vásquez (Nebur) and others produced a series of highly satirical and delusional cartoon stories. Jorge got the rights to "Little Nemo in the Land of dreams”, one of the first comics. Jorge also had the idea of making fotonovelas, and with the help of exceptional photographers such as Eduardo Martí and Uberto Sagramoso, that territory became a new world in which, once again, things could be said without saying them. The list of journalists today who made their debut at El Expreso is very long: For example, the editorial secretaries of the different stages: Ralph Rotschild – today editor of La Mano, Sandra Russo, Gloria Guerrero. Adriana Franco today writing about rock in La Nación, began with some chronicles in the early 80s. Roberto Pettinatto came to the magazine through a letter from readers, hidden behind the pseudonym Laura Ponte, and he stayed forever. With his obsession with the “New Journalism” of Tom Wolfe, Truman Capote and Hunter Thomson, and his constant bouts of satire and sarcasm, he contributed to renewing the language. When little by little we all started leaving, Pettinatto was left to direct the last year of the magazine, already with a clearly musical tone. In the second issue we put a letter from the Scottish group Incredible String Band as an editorial, which is a statement of the magazine's principles, and the opposite of the intolerant thinking of the dictatorship at that time, and which I like to close these memories: “His head is so wide that everything life says has room to live and breathe and be, and even more…” Pipo Lernoud The beginning of the bloodiest dictatorship in Latin American history – which is already saying a lot – is not a good opportunity to start a magazine based on freedom and exploration. Actually, the idea already had its shooting time. It had emerged from the eternally creative head of Jorge Pistocchi, former patron of Almendra, former director of the magazine Mordisco, specialized in rock. Jorge contacted me in the middle of 1975 with a folder with drawings and notes, a logo and the first cover already designed. We began to look for financing for the project, and to think about putting together a team. The first one that occurred to us was Horacio Fontova, the “Renaissance Negro”, actor, cartoonist, musician, writer and old friend from shipwreck nights with Miguel Abuelo and Tanguito. Horacio would put the aesthetic stamp on the Express, a personality that stands out among the magazines of Argentina and probably the world. Jorge brought Alfredo Rosso, who was finishing the colimba and writing for his previous magazine, Mordisco. The 20-something Rosso brought two friends, Claudio Kleiman –companion of the colimba- and Fernando Basabru. Resorte Dr. Hornos, for the Springe friends and for the law, Eduardo Sanz (*) accompanied Jorge with his illustrations, making the cartoons for the magazine and giving him, along with Fontova and many others, the graphics that made it distinctive. (*) A great companion at the police stations to which they used to take us after each recital in between and where they didn't know him as Springe... Alfredo "The Imaginary Express": journalism and counterculture The publication directed by Jorge Pistocchi and Pipo Lernoud put readers' mail, ecology, oriental philosophy and native peoples at the center of its interests. Alfredo Rosso tells of his beginnings as a chronicler in the mythical magazine. By Mariano Nieva -Paco Urondo Agency Alfredo Rosso: What you say, I learned in those years from colleagues like Claudio Kleiman, for example, who is the one who brought Brazilian music to the Express, and that's how we found out more than 40 years ago about the existence of Caetano Veloso, Gilberto Gil, Hermeto Pascoal and Ney Matogrosso. Pipo Lernoud, for his part, introduced folklore at a time when we were a bit afraid of this style, along with tango, because there was a kind of friction with the tangueros who had felt in the '60s that rock he had removed scenery and figuration, and somehow they were right. Some of that had happened at that time. UPA: And at what point do you feel that this mixture of sounds and styles began to be heard more clearly among our artists? AR: Everything began to integrate, like when Negra Sosa returned to the country after exile and, after the dictatorship was over, León Gieco and Charly García were on the stage where she performed. Or Daniel Sbarra, a musician from Virus, who was playing with Jaime Torres at the time. Then began a wonderful period that today is a constant and nobody is scared anymore, and that is that rock merges with folklore, for example. Of course, we must never stop honoring pioneers like Gustavo Santaolalla who already did this crossbreeding in the '70s with his group Arco Iris. If, for example, you listen to his song “I want to arrive”, you will find "piazzoleano" tango, folklore and also jazz. UPA: What did it mean to you to have been part of the Imaginary Express, taking into account that you had just left the colimba, the context in which the publication appeared and the stature of myth that it later reached? AR: The Express was an apprenticeship for me. Imagine that I was 21 years old and had just finished my military service with Claudio Kleiman, whom I met there, in the barracks. Fifteen days after being discharged, I began to do a section called “La hora de los inéditos” on the radio program “Viento a favor”, in collaboration with Fernando Basabru, who had been my classmate in high school and that today accompanies us and looks at us from somewhere in the cosmos. In addition, I worked in a record company editing records and when I entered the Expreso, which was just beginning, I met a generation that had between five and ten years of experience with me, and that also had a humanistic view of life and a desire for freedom through all price. UPA: People with a lot of lucidity and vision of the future. AR: Absolutely, Jorge Pistochi and Pipo Lernoud were there as its directors; Black Horacio Fontova, whom everyone knows as a musician and comedian but who is a great diagrammer and cartoonist and who did an enormous job in the magazine. José Luis Damato, who was in charge of all the notes on ecology, and many other people who joined, like Gloria Guerrero, Sandra Russo and Roberto Petinatto, who as we all know was a Sumo saxophonist and who became director in the last stage of the magazine to which many people do not give due ball. UPA: It is true what you say regarding the period in which Petinatto was in charge of the magazine, very few remember and recognize it. AR: I think the interesting thing about Petti's work is that he tried to insert the magazine in the '80s, in a very different context from the beginning. Although I accept that perhaps the first stage that goes from 76 to 79 has been the most fruitful of the publication. A tomato for Travolta. By 1978 the main groups on the local scene had dissolved. The news of the separations of La máquina de hacer pájaros, Invisible, Crucis, Polifemo, Soluna and Pastoral, among others, were known through the pages of the Imaginary Express. This situation, added to a context of suffocation resulting from the military dictatorship and the exile of great figures such as León Gieco, Lito Nebbia, Gustavo Santaolalla, Pino Marrone and Edelmiro Molinari, caused both the publication of new record materials and the the number of live shows. On the other hand, the film Saturday night fever released a year earlier, directed by John Badham, and the culture of disco music in our country were other factors that aggravated the situation. Artists like the Bee Gees, Donna Summer, Gloria Gaynor and Kool & The Gang were the main stars of a phenomenon that proposed disco and dance as an alternative to the communion of the recital. The Imaginary Express, in its own way, did not remain oblivious to this new circumstance and picking up the gauntlet in issue No. 26 of September 1978, put a tomato smack on the face of John Travolta, icon of disco music, on the cover. The cover was accompanied by a sarcastic centerpiece headlined "The Feverish Robots of Saturday Night." UPA: Another of the things that was rescued from the Express was that it had been a kind of advance journalism. They talked about what many were silent. AR: Pipo and José Luis Damato were pioneers in addressing what was coming, the environmental issue, the contamination of the seas and pollution in cities. We talked about all this in 1977 and 1978, in the section "The manual for inhabiting planet Earth", for example, something really "incorrect" for the time, because it was to address these issues in an ideal country where everything was fine and we were rights and human So with all those people we made a magazine that talked about cinema, theater, ecology and communities at a time when you couldn't talk about all that freely. For this reason, I believe that Expreso Imaginario was a place of cultural resistance in a terrible time. On the other hand, my contribution was in the musical part with Kleiman, Basabru and the unforgettable Edy “La Foca” Rodríguez, who also played with El Negro in the duo they formed and who named him Fontova y la Foca. UPA: Many do not know that El Expreso Imaginario had a fleeting step as a radio program. How did that experience come about? AR: After many years, there was an attempt in 2001 to revive the experience, but it did not go beyond a broadcast on La Tribu radio, which was fun and was hosted by Rubén de León, the singer and leader of La banda del paraíso, but he did not give to continue it. Later, Jorge Pistochi made some productions for single numbers, and nothing more. UPA: Today you are working on a book that has to do with rescuing your notes from the Express. Tell us a little more about this project AR: Indeed, we are making a book with Pipo and Kleiman of our notes on the Express. Of course we have to be selective, because it is a work that is going to have about 400 pages and we cannot put everything. Also, it's just our notes, to which we own the rights and we're very happy to do so. And since we are prolonging the interviews we did in those days, it also mobilized us a lot. UPA: Beyond the lots of memories you have from that time, what happened to you when you got back in touch with that material? AR: Imagine remembering again, for example, the report I did to Spinetta at the time of his album Kamikaze at his home in Florida, and everything that was happening around it, because the meeting with El Flaco happened in the middle of the Malvinas war. . Or the note to the Television group, which I remember I did a few blocks from where I worked at the Music Hall label and that I wrote it in a Chinese restaurant, where I would have lunch every day, so there are even humorous elements. In summary, it is a very strong exercise to remember those notes again and realize in most cases how current they are, how they are so current not only because of the musicians we are talking about, but also because of the vibe that the writings have. . UPA: Seeing a bit of current events in the media. Do you feel that they left some kind of legacy in the way of doing written journalism? AR: As for the inheritance, I think we did something very dignified in the time of The Hand, and in this sense I want to send a big hug to Ralph Rothschild who made it possible for the magazine to come out at another difficult time for written material, such as the years 2003. and 2004, after the 2001 disaster, and he gambled for the project and invested. We did this publication with Pipo Lernoud, Marcelo Fernández Bitar and Martín Pérez, "El Gavilán", today editor of Radar, the cultural supplement of Página/12, who was very important; and of course Roberto Petinatto, the guy who gave the publication much more than its name. And a lot of collaborators like Fernando García, who at the time of the final closing left a great phrase, when he said: “I am very glad to have worked in a magazine that is not a franchise”. La Mano lasted 6 years, maintaining, it seems to me, the spirit of the Imaginary Express. When talking about countercultural journalism in our country, the experience that took place between 1976 and 1983 and that was called El Expreso Imaginario, one of the most rebellious magazines that the vernacular written press had, immediately appears as a reference. Alfredo Rosso, one of the most prominent specialized rock journalists, tells in this interview for Agencia Paco Urondo his beginnings as a chronicler in the mythical publication, the unpublished topics for the time that were covered in its pages and the history of La Mano at the beginning of the new millennium which, according to Alfredo himself, preserved that rebellious and original spirit of the Express. Paco Urondo Agency: Today there is much talk of miscegenation in rock and perhaps no one will be surprised, for better or worse, by the fusion of styles that can be found. And it seems to me that El Expreso in this, as in so many other things, was avant-garde. Rock, folklore and tropicalism could coexist in its pages. Claudio by Humphrey Inzillo March 24, 2019 This song is for the old men, for Rosso, for Kleiman", says Indio Solari before singing "That lonely Cuban cow" in a memorable concert in Cemento, in 1987, where Luca Prodan shared the stage with Los Redondos and sang "Criminal mambo". Claudio Kleiman laughs when he remembers that dedication, immortalized on a pirated cassette. "By that time we were already the geezers," he says. Ten years earlier, he had been the first to write about that delirious group that would become one of the most popular in the history of vernacular rock. That's just one of the milestones in Kleiman's four decades as a rock journalist. In that course, he went from being a benchmark to becoming a legend. Founder of the Imaginary Express and a pillar of the Argentine edition of Rolling Stone since its first edition, in 1998, his firm is one of the most prestigious on the continent. In all these years of ink and music, he earned the admiration of Charly García (who eagerly awaited each of his criticisms) and Gustavo Santaolalla (who considers him one of the best journalists in the world), participated in memorable jams in the rehearsal rooms of La Renga and Divididos, and interviewed giants like Iggy Pop and Carlos Santana, among many others. However, and although he does not plan to abandon the profession of writing, his great motivation today is on stage. "Music is the closest human beings have to a transcendental experience, it is beyond words and concepts, it is air in motion," he says, inspired by his new main métier. "Music and journalism have always been like parallel paths, and for music to have a more visible place now is something I've been waiting for a long time." It is no coincidence that his debut album, It Was Time , he will arrive at a critical moment for his lifelong profession. "Journalism is in a transition that nobody knows very well where it is going. The one we met, with which we were trained, with long notes, research, opinion, now it is only found in drops, it has no place on the internet," reflect. Neither is the impressive list of guests who selflessly joined the album by chance (see box). Kleiman never had conflicts when it came to erasing the border between the musician and the journalist, and from the respect that each of his articles generated, he earned the friendship of several generations of Argentine musicians. Era hora is not a journalist's foray into the realm of musical practice, but the result of a lifelong passion: alongside his journalistic career, he played with Skay Beilinson in a line-up parallel to the Redondos (earlier from the 80s), he recorded a demo with a Latin American touch - which included a version by the Brazilian composer Alceu Valença - and led several projects essentially linked to blues. under the white album The first three volumes of the Kleiman disco seem like part of a manual for the perfect rocker: the White Album, by the Beatles; Almond and Manal. "They were the ones that had come out at that time, and I didn't imagine that they were going to be the best that I was going to listen to in my life," he says and evokes his adolescence, those years in which he went to concerts, bought vinyl records and wanted to know everything. . "Growing up in the 60s and 70s was a very rich breeding ground. My first recitals were BA Rock, but I also went to Luna Park to see Viglietti or Quilapayún, and to listen to Piazzolla with Gerry Mulligan at the Belgrano Auditorium. All of this, long before even thinking about the possibility of writing." It was during those years, too, that in addition to devouring record reviews in La Pelo and Cronopios, he began to write poetry and short stories, with a fleeting participation in an anthology of young poets by Miguel Grinberg, the priest of writers. with some pretense beatnik whom Kleiman followed with admiration in the newspaper La Opinión. "And that was before the Express, which was my approach to journalism and rock from within." When he finished high school, he began to study psychology without much conviction. Until his military service (in the Military Police Regiment, in Palermo) forced him to interrupt his studies. And, incredible as it may seem, it changed his life (for the better). Strictly speaking, it wasn't exactly the colimba that changed his life but a meeting with a colleague, Alfredo Rosso, who over the years would become another of the pillars of vernacular rock journalism. Together they formed an unbeatable tandem. "In the colimba I was with the radar attentive to see if any soul related to rock appeared within that confinement. And one day, in a guard that they called "imaginary" because it was without weapons, I came across a Mordisco magazine, which It was before the Expreso. It was owned by a kid who didn't look like he was a Mordisco reader. So I say to him: "Hey, is that magazine yours?" And then he tells me that a certain Rosso, from the First Sergeant's office. So I started looking for the owner of the magazine. And it turns out that he was not only a reader, but also wrote there. That's how I met him, and we immediately became new friends. And he immediately told me that the owner, Jorge Pistocchi, was devising another publication. The next free time we had, he took me to Pistocchi's apartment on Viamonte street. And that was a before and after for me." -Because? -His house was a mess, there were a couple of mattresses on the floor, a long table full of papers. And Pistocchi would start talking and he was like some kind of guru. Guru for his ability to persuade and for his thought, which was very deep. The people who gathered around him were extraordinary. An expected debut At the end of last year, Kleiman released his first album, Era hora, which includes an eclectic guest list, with legends such as León Gieco, Ricardo Mollo, Diego Arnedo and Gustavo Santaolalla; pioneers such as drummer Rodolfo García (Almendra), guitarist Claudio Gabis (Manal) and keyboardist Ciro Fogliatta (Los Gatos); blues heroes like the maestros Marcelo Ponce and Jorge Senno or the drummer Juan Carlos Tordó (La Mississippi); and a selection that includes the Uruguayan murguista Alejandro Balbis, the star violinist Javier Casalla, the singer Claudia Puyó and musicians from the Ratones Paranoicos, among many others. An impressive staff for any debut album, which garners the respect and, fundamentally, the affection that Kleiman has planted in all these years of music. There are eight own songs and two co-authored (with Skay Beilinson and Pipo Lernoud), which dialogue with some national rock obsessions, paint an urban landscape and investigate a certain neighborhood existentialism. When he returned to Psychology, in May 1976, Kleiman found himself with a completely different panorama from the one he had left before entering, still in a democracy. The halls of the college, which had previously been riddled with posters and abuzz with political activism, artistic expression and sexual tension, had died down. "The walls were white, bare. There was no activity, everyone was submissive, like something out of 1984, from Orwell. So if the race had interested me little from the beginning, the context definitely drove me away." At the time, the Imaginary Express was on the tails and Kleiman had taken over the record-review section. In part, because of his incipient training on the subject, but also because of his work in the bookstore and record store that his brother had in Flores, y where Pedro Aznar and Daniel Melero went to buy, allowed him to have access to the latest releases. For the first issue, which came out in August 1976 and offered a "Practical Guide to Inhabiting Planet Earth" on the cover, Kleiman reviewed records by Bob Dylan, Neil Young and Frank Zappa. The recognition came in the email of the second number, when Charly García sent a brief but extremely auspicious text, where he congratulated all the staff and especially highlighted the Records section. "I still didn't know him personally. That's why I owe it to him: I was a recently arrived asshole and, from that, they began to look at me with more respect." -You ever said that, more than a magazine, the Express... was a vital experience. -Clear. It was like a salvation for us, and many readers also felt that way, because we were able to create ourselves as a microworld. It was like an island within that sinister reality that was lived. The initial group was an amazing gathering of talent. In addition to Pistocchi, there was Pipo (Lernoud), who would be the co-director of the Express and Negro Fontova, an illustrator and art director. Also Alberto Ohanian, who was not for nothing later the manager of Spinetta and Soda Stereo, a very important guy to carry out the delusions that Pistocchi had in his head. And Uberto Sagramoso, who was the first photographer of the Express. They were all a few years older than Alfredo [Rosso] and me. Imagine that all of us who are still alive are still very good friends. -And how was the relationship with the musicians? -We were part of the same thing: a small group of people who had to close ranks. That immediately produced a brotherhood and many remain friends to this day: Gustavo Santaolalla, León Gieco, Claudio Gabis, even Luis [Alberto Spinetta] and Charly, of course. With some of them we played memorable football matches. rock wonder for this world Although he wrote many emblematic articles, such as a long profile of Bob Dylan and a couple of anthological interviews with Charly García, Claudio Kleiman will go down in history for the chronicle of the first of the Lozanazos, those famous concerts in La Plata that gave rise to the myth of the Round ones. "The incipient rock movement from La Plata seems to make old laurels green again. This is how the presentation, at the Lozano de La Plata theater, of Patricio Rey y sus Redonditos de Ricota, a delirious band of nine members and a multitude of collaborators, seems to herald it. rock and roll strength, wit and good humor seems to want to ape the golden days of psychedelia," he wrote. A couple of paragraphs later, he prophesied: "Those Redonditos de Ricota are going to give a lot to talk about in the future." Four decades later, Claudio recalls the initial shock and, once again, the instant friendship that was born that night. "The closest parallel that occurred to me when I saw them was with Frank Zappa and The Mothers of Invention, because they put on a freak circus on stage. There were special effects that failed, they threw chickens. Here, there was no precedent for something like that. And the name had a very clear reference to '50s rock & roll groups like Bill Haley & His Comets, and that was politically incorrect." The night of the first concert, in a bar, Kleiman, Skay and Poli forged a friendship that continues to this day. He met the others, but the approach and the talk was with them. "They made music that was different from any other music out there. That really appealed to me, because I realized all the cultural baggage they brought with them, that these guys had been trained in psychedelia and had read the same books that I had." -And from that initial meeting and that first mythical note, how did the relationship continue? -They had an apartment here in Buenos Aires and whenever they came, once a week, Poli would let me know and we would go out for drinks. We would go to drink and in those laps you would meet characters that they were incorporating into the Redondos. Like Enrique Symns, at that time a monologue of the under. And several more that we discovered on those nocturnal adventures. -And how did you get along with the Indian? -We had a bond on the side of melomania; he made some compilations on cassette because he said he got bored of listening to complete records. Ahead of his time (laughs). We listened to them when he went to the house. It was a box of surprises because he didn't mix them in any way, he had a question, he was a DJ. And we argued a lot because we didn't agree on many things. He boasted of being more open and he is right, I have always been more classic in my tastes. For example, at the time of the new romantic I didn't even bank there and he liked it. I'm talking about the second half of the 80s. Kleiman saw the exponential growth of the group until it reached the dimension of stadiums. And he also witnessed the consecration of artists such as León Gieco, Charly García and Gustavo Santaolalla. "Charly confessed to me, not long ago, that he was especially looking forward to reading my reviews of his records. And that, imagine, what it means to me", he prides himself between memories of recording sessions and shared reports. -How do you deal with the idea that many of your musician friends became millionaires? -I do the best I can. Let's say, that contradiction is not lost on me, but just as I have seen that, I have also seen very talented people end up in misery. Complaining would be pretentious or unfair on my part. Maybe I was never very clever. I was always more after what I was attracted to do than what could provide an economic return. And well, what do I know, skull does not squeal. I would have liked to earn more money, but I don't know if I didn't have the ability or the talent. On the other hand, if I had wanted to make money I would have pursued a career as a notary, just like my dad, which was what he wanted, and I would probably be very well off financially. I would have inherited my old man's office. But hey, one entered this as a way to rebel against the established order. And that, in my case, does not have many awards. Word of Santaolalla From Kuwait, where he is participating in a large video game conference, and before leaving for Switzerland for a special visit to CERN, the largest particle physics research laboratory in the world, Santaolalla writes about Kleiman. "Claudio is one of the most capable rock journalists I've ever met. I've always been an avid reader of music publications from around the world, and having read authors like Lester Bangs, Dave Marsh, Robert Hilburn, Timothy White and Joe Boyd, among others, I can say with certainty that Claudio is on a par with any of those monsters of world rock journalism.His knowledge is so vast and his capacity for analysis so accurate that he has always been a fundamental reference for the discovery of new artists and the deepening of the work of those already established.Claudio is one of the pioneers of rock journalism in our country and one of the few who have given validity and seriousness to the profession.To his work as a chronicler He has also added his talent as a musician and I think that today makes his understanding of what he writes even deeper. But in addition to his incredible skills as a chronicler, Claudio has a human quality that allows him to relate to his interviewees in a very special. In his reports we managed to discover aspects of an artist that are often unknown. Finally, I must confess that, in my case, the endearing affection I have for him as a friend adds to my admiration and respect as a professional". Claudio was a fundamental part of the history of the Express and this note could not be missing. In those distant times I used to listen to him sing and when I do it today I can't believe how he has grown and the perseverance he had to become considered an excellent musician and, as always, a journalist. Ralph ENVELOPE N°0

International Record News month by month, Mr. Orejas selects the news. I chose the year you want to remember 2015 2016 2017 2018 2019 2020 2021 Podcasts click here Novedades Orejudas Novedades Orejudas Mayo 2023 00:00 / 01:04 Luego de los extenuantes 10 episodios de Rock y Dictadura, el programa respira música con las novedades discográficas de mayo 2023. Entre otros: Sparks, Amos The Kid, Paul Simon, Ezequiel Borra, un recuerdo musical de Tina Turner y algunas cosas más Los Discos que se Vienen 00:00 / 01:04 Esta semana en Orejas al Universo presentamos “Los Discos que se Vienen”, los nuevos lanzamientos que se esperan hasta mitad del año… Y las novedades son muchas. Nuevos álbumes de U2. Kele, The New Pornographers, Metallica, Temples, The Tallest Man on Earth, Jethro Tull, The National, Graham Nash, Dave Matthews Band, Sparks y Noel Gallagher's High Flying Birds. discos vienen Calor 2023 00:00 / 01:04 Ante el calor record que esta sufriendo la Argentina en este 2023, el Dr. Orejas hace con mucho sudor y sufrimiento este programa donde participan Abuelos de la Nada - Westing - Ty Segall & Emmett Kelly, The Vines - Beach Boys - The Ortega´s Clash - Screaming Females - David Lee Roth - Kiko Veneno - The Grass Roots - Gorillaz - Led Zeppelin - Los Fabulosos Cadillacs. calor invierno 2023 Pese a que el Dr. Orejas ya está en la cuarta edad de su vida sigue escarbando en la música que surge así como presenta las novedades de quienes lo acompañaron toda la vida. Como le sucedió con Mozart, Salieri, Beethoven, alias “el sordo”, Bach, Vivaldi y muchos otros, a veces tuvo el tino de reconocer su valía y otras se alucinó con música a la que la historia enterró en el olvido. Ya en el siglo XXI sigue buscando notas que lo sorprendan y estas existen. Algo así como “Todo tiempo pasado fue mejor, mañana es mejor” en lo que a música se refiere. Hoy abrimos nuestras orejas al hemisferio norte -eso de norte puede depender de cómo pongamos el mapa que obviamente fue hecho por el norte . Te invitamos a recorrer la música que está apareciendo en el Invierno 2023. Bandas y solistas que seguramente no conocías pero lo harás si escuchás este programa lleno de descubrimientos: July Talk, Scrounge, Helvetia, Jaws of Love, Fantastic Negrito, The Tubs, Guided By Voices, The Laissez Fairs, The Reytons, Ghost Woman, Black Swan Lane, Real Ones, The Laissez Fairs y The WAEVE. Invierno 2023 00:00 / 01:04 verano 2 Verano 2023 00:00 / 01:04 Segundo programa de Orejas al Universo, verano. Rendimos homenaje a Jeff Beck y presentamos nuevos temas de Peter Gabriel y Metallica. Soda Stereo y Luis Alberto Spinetta cantando en inglés + lo nuevo de All Them Witches. Segundo programa de Orejas al Universo, verano. Rendimos homenaje a Jeff Beck y presentamos nuevos temas de Peter Gabriel y Metallica. Soda Stereo y Luis Alberto Spinetta cantando en inglés + lo nuevo de All Them Witches. verano 2023 1 Verano 2023 00:00 / 01:04 Y llega el verano, cuando el Dr. Orejas presenta la música que halaga sus oídos. Este primer programa con iggy pop - single mothers - the who - arthur brown - jethro tull - savoy brown - blood, sweat & tears - feli colina - invisible - lucas ferrara y linda martini 1 Tiny Desk 00:00 / 01:04 2 Tiny Desk 00:00 / 01:04 3 Tiny Desk 00:00 / 01:04 4 Tiny Desk 00:00 / 01:04 Mr. Orejas visits NPR, National Public Radio in Washington to enjoy Alt-j - Ani DiFranco - Bob Weir And Wolf Bros - Bomba Estereo - Café Tacvba - Coldplay - Courtney Barnett - Daughter - Death Cab For Cutie - Jackson Browne - Jorge Drexler - Juana Molina - Liz Phair - Sting & Shirazee - Suzanne Vega - Tash Sultana - The Black Crowes - The Lumineers - Trey Anastasio - Weezer - Yusuf Cat Stevens September 2021 tiny Bootlegs Bootlegs s01e04 00:00 / 01:04 May 2015 A bootleg is an unauthorized edition, which can be as much music as books, video games, television series or movies. In the case of videogames and anime, this phenomenon is widespread, and normally consists of the production of articles that, without being official, try to pass themselves off as such. Bootleg production in this case is an activity that occurs predominantly in countries such as Singapore, Hong Kong and Taiwan. Etymologically, bootleg (in English, contraband) means the leg of the boot, which refers to the tradition of hiding the bottle of illegal liquor in the boot. In musical terms, a bootleg is a recording that has not been officially released by the artist or their record company. They can be live recordings of concerts, studio sessions, rehearsals or simply jams (musical improvisations). The source of these recordings are usually CDs offered for sale by companies dedicated to the trade in these recordings, analogue audio tapes or CD-Rs obtained directly during the concerts by people who came to them with portable home recorders, or tapes or CD- R that left the recording studio in a dubious manner, without the knowledge of the artist or record company. The people who make such pirated recordings are called bootlegers. We can also find videos that can be collected on video tapes or in the currently used format of DVDs. Bootlegs s01e03 00:00 / 01:04 Bootlegs s01e02 00:00 / 01:04 Bootlegs s01e01 00:00 / 01:04 Bootlegs s02e01 00:00 / 01:04 Bootlegs s02e02 00:00 / 01:04 Bootlegs s02e03 00:00 / 01:04 Bootlegs s02e04 00:00 / 01:04 February 2016 Bootlegs s03e02 00:00 / 01:04 Bootlegs s03e04 00:00 / 01:04 November 2016 Bootlegs s03e03 00:00 / 01:04 Bootlegs s03e01 00:00 / 01:04 Covers It was the first Ears to the Universe program broadcast in March 2015 on FM Frecuencia Zero Covers s01e01 00:00 / 01:04 Covers s01e02 00:00 / 01:04 Covers s01e03 00:00 / 01:04 Covers s01e04 00:00 / 01:04 October 2015 Covers s02e01 00:00 / 01:04 Covers s02e02 00:00 / 01:04 Covers s03e03 00:00 / 01:04 Covers s02e04 00:00 / 01:04 June 2016 Covers s03e01 00:00 / 01:04 Covers s03e02 00:00 / 01:04 Covers s03e03 00:00 / 01:04 Covers s03e04 00:00 / 01:04 March 2017 Tributos click on the photo to enlarge 1 Homenajes y Tributos 00:00 / 01:04 2 Homenajes y Tributos 00:00 / 01:04 3 Homenajes y Tributos 00:00 / 01:04 4 Homenajes y Tributos 00:00 / 01:04 June 2016 1 Redondos en Stereo 00:00 / 01:04 2 Soda de Ricota 00:00 / 01:04 3 Redondos en Stereo 00:00 / 01:04 4 Soda de Ricota 00:00 / 01:04 October 2016 redondos 1 Luis y Gustavo 00:00 / 01:04 2 Gustavo y Luis 00:00 / 01:04 3 Spinetta y Cerati 00:00 / 01:04 4 Cerati y Spinetta 00:00 / 01:04 More from Luis Alberto Spinetta: click here April 2018 spinetta cerati October 2016 Did you know that there was a fifth beatle and he was Argentine? click here 3 Beatles Covers 00:00 / 01:04 2 Beatles Covers 00:00 / 01:04 1 Beatles Covers 00:00 / 01:04 4 Beatles Covers 00:00 / 01:04 covers beatles 1 Los Rolling Beatles 00:00 / 01:04 2 Los Rolling Beatles 00:00 / 01:04 3 Los Rolling Beatles 00:00 / 01:04 4 Los Rolling Beatles 00:00 / 01:04 5 Los Rolling Beatles 00:00 / 01:04 6 Los Rolling Beatles 00:00 / 01:04 June 2015 rolling beatles 1 Lados B de Beatles y Rolling Stones 00:00 / 01:04 2 Lados B de Beatles y Rolling Stones 00:00 / 01:04 3 Lados B de Beatles y Rolling Stones 00:00 / 01:04 4 Lados B de Beatles y Rolling Stones 00:00 / 01:04 5 Lados B de Beatles y Rolling Stones 00:00 / 01:04 6 Lados B de Beatles y Rolling Stones 00:00 / 01:04 7 Lados B de Beatles y Rolling Stones 00:00 / 01:04 8 Lados B de Beatles y Rolling Stones 00:00 / 01:04 May 2020 simples 1 Rock Sinfónico 00:00 / 01:04 1 Rock Sinfónico 00:00 / 01:04 3 Rock Sinfónico 00:00 / 01:04 4 Rock Sinfónico 00:00 / 01:04 May 2015 sinfonico duos 1 Dúos 00:00 / 01:04 1 Dúos 00:00 / 01:04 3 Dúos 00:00 / 01:04 4 Dúos 00:00 / 01:04 November 2016 tranqui 1 Un programa tranqui 00:00 / 01:04 2 Un programa tranqui 00:00 / 01:04 3 Un programa tranqui 00:00 / 01:04 4 Un programa tranqui 00:00 / 01:04 September 2015 When we turn 150 programs we invite the music@s to send their songs. With Xilocaine, Svat, Supraural, Serun, Bangkok Project, Time Pilots, Paulo Mux, Paulino Cardenas, Nuevo Mantra, Miguel Schiaffino Meridion, Magusanos, Calcutta Sea, Paper Machine, Luz Pereira, Jorge Politi, Darío Hernán Castañeda, Dailyde Flash, Confused, Carla Casiano, Adrian Malvasi, 2 engines and (oai) 1 Orejas Under 00:00 / 01:04 2 Orejas Under 00:00 / 01:04 3 Orejas Under 00:00 / 01:04 4 Orejas Under 00:00 / 01:04 October 2018 under cumple 4 Orejas cumple 1 años 00:00 / 01:04 1 Orejas cumple 1 años 00:00 / 01:04 2 Orejas cumple 1 años 00:00 / 01:04 3 Orejas cumple 1 años 00:00 / 01:04 March 2016 quinta 2019: The fifth season begins and we hear many themes related to birthdays with luxury guests such as jimi hendrix, ian anderson, andres calamaro,_cc781905-5cde-3199 -bb3b-136bad5cf58d_ john mayall, sizzla, neil sedaka, beatles, jefferson airplane, bb king, el soldado, steppenwolf, michael jackson, durriti column, madonna, sufjan stevens, stevie wonder,_cc781905-5cde -3194-bb3b-136bad5cf58d_ kings of lion, janis joplin, violeta parra, twista, the killers,_cc781905- 5cde-3194-bb3b-136bad5cf58d_ ween, slothrust, fontova, low, ray barreto,_cc781905-5cde-3194 -bb3b-136bad5cf58d_ gabriela, lenny kravitz, ian anderson and you, dear listener... 2 La Fiesta de la Quinta Temporada 00:00 / 01:04 1 La Fiesta de la Quinta Temporada 00:00 / 01:04 3 La Fiesta de la Quinta Temporada 00:00 / 01:04 4 La Fiesta de la Quinta Temporada 00:00 / 01:04 March 2019 1 Las Mejores Portadas 00:00 / 01:04 2 Las Mejores Portadas 00:00 / 01:04 3 Las Mejores Portadas 00:00 / 01:04 4 Las Mejores Portadas 00:00 / 01:04 October 2015 portada

Aquí encontrarás los programas de la octava temporada de Orejas al Universo con la participación de Claudio Kleiman, Martín Perez, Alfredo Rosso y Pablo Seoane. Una temporada distinta!!! PROPUESTA DE VENTA Mi nombre es Ralph Rothschild y esta propuesta va dirigida a un grupo empresarial que desee desarrollar un espacio para reunirse o convivir en un workshop con la posibilidad de contar con un auditorio para 300 personas junto a una chacra de 6 hectáreas que puede convertirse en un complejo para alojarse. A 120 km de Bariloche un lugar único por su microclima. Situado a 200 metros sobre el nivel del mar, tiene hermosos lagos, naturaleza y hasta una excelente nieve. Ante los cambios climáticos, un lugar ideal para proyectar un futuro. El futuro ya está en El Bolsón clic aquí para ir a Google Earth Durante su construcción se utilizó el espacio exterior ya que el escenario mira tanto al exterior como al interior. EL AUDITORIO Se comenzó a construír en el año 2010, completándose en un 70% y que debido a distintas circunstancias no pudo terminarse. 1/11 1/11 ESTADO ACTUAL clic aquí para ir a Street View PLANOS Algunos planos de obra. Clic en la foto para agrandar LA CHACRA Consta de 6 hectáreas, una casa que podría servir para administración, recepción. Con todos los servicios permite imaginar cabañas para alojamiento de huespedes, etc. 1/12 ALGUNOS PLANOS Clic en la foto para agrandar

Dirigida por Jorge Pistocchi, la revista Zaff!! fue editada en el año 1979. Todos los números para ver o descargar. zaff gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE Making the web I realized the little photographic material that there is from that time. At this time when everything is excessively recorded, it is surprising how few photos we took of ourselves, even though there were excellent photographers in the newsrooms. Going through old slides, this one appeared]: the one on the original cover of the first issue of Zaff. Hard to imagine the advent of Photoshop in those years. Despite the clever covers, the simplest solution was a good photograph or illustration... But the first issue of Zaff!! it deserved a different cover. That's how we went to my house and Jorge began to work frantically with the clay and to give it a touch of realism we bought two glass eyes. Placing them was the final touch after which I would take the photo. Delicately, Jorge put the droplet to hit it, and jokingly put his eye on his... with the droplet!!! What I don't remember is how he was able to take it off, but I do remember that we panicked. Seeing the photo I imagine I can finally take it off. And this was the cover of the first issue of "the magazine of the time that did not arrive". A sad office in the Once neighborhood. Almost creepy. Jorge's third adventure took place in this environment (Mordisco and the Imaginary Express were the first). Memories of the first cover made by hand in my house in Newbery. There was no Photoshop and it was one made with putty. Playing around, when putting it together, Jorge had no better idea than to put on his glass eye with poxipol covering his... In any case, taking it off was easier than doing Zaff!! The magazine of the time that did not arrive. And the call of the title was absolutely true. The time for that magazine had not arrived. But like all Pistocchi magazines it was made with a lot of love (and stubbornness) despite all the setbacks. The included audio is a recommended program by Los Subterraneos, a program of Fm Universidad de La Plata on April 29, 2017 hosted by Sebastián Benedetti, Alfonso "Ponchi" Fernández and Nicolás Arias where this story is told. To be continue... the glued eye _cc781905-5cde-3194 -bb3b-136bad5cf58d_ Haciendo la web me dí cuenta el poco material _cc781905-5cde -3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194-bb3b- 136bad5cf58d_ _cc781905-5cde- 3194-bb3b-136bad5cf58d_ photographic from that time._cc781905-5cde-3194-bb3b-136bad5 _cc781905-5cde-3194 -bb3b-136bad5cf58d_ En estos momentos en que todo queda _cc781905 -5cde-3194-bb3b-136bad5cf58d_ _cc781905-5cde-3194- bb3b-136bad5cf58d_ _cc781905- 5cde-3194-bb3b-136bad5cf58d_ registered in excess surprises the few photos that we took off, and that in the newsrooms there were excellent photographers. Going through old slides, this one appeared]: the one on the original cover of the first issue of Zaff. Hard to imagine the advent of Photoshop in those years. Despite the clever covers, the simplest solution was a good photograph or illustration... But the first issue of Zaff!! it deserved a different cover. That's how we went to my house and Jorge began to work frantically with the clay and to give it a touch of realism we bought two glass eyes. Placing them was the final touch after which I would take the photo. Delicately, Jorge put the droplet to hit it, and jokingly put his eye on his... with the droplet!!! What I don't remember is how he was able to take it off, but I do remember that we panicked. Seeing the photo I imagine I can finally take it off. And this was the cover of the first issue of "the magazine of the time that did not arrive". 1/2 anecdota zaff Magazines revistas zaff Click on the cover to view or download Discharge Zaff en Subterraneos-FM Universidad 00:00 / 53:56 continue listening and browse other pages click here listen full program The beginning of the end The situation was getting more tense every day. Zaff's Publisher! Apart from publishing a successful Golf magazine, he launched -when the situation allowed- urgent leaflets full of blood events. Sensationalism at its finest. When John Lennon was killed he saw another opportunity to put out another emergency number for urgent sales. He was not going to carry the name of Zaff! but he couldn't convince Jorge to do it, to whom the whole situation seemed immoral. From then on, the "editorial" took away all our support. We didn't even have a diagrammer anymore to do the last issue, yes, it had John on the cover. I remember having to lay out the magazine without any knowledge of it, after which we left that cave, never to return. Ralph Rothschild, Raul B.Ichi and Augusto Mandó - Public road Last page of the last issue HOT BREAD

Society sociedad policia 1 Una Historia Gay, conversando con Martín 00:00 / 01:04 In this program the musicians sing to sex. We warn because it may affect the sensitivity of some people. Do not say that we did not warn. They warm you up Aguaturbia, Grindhouse, Hakuna Tanaka, James Brown, Juliana Hatfield, Kraftwerk, Led Zeppelin, Lito Vitale/Pedro Aznar. Los Prisioneros, Luis Alberto Spinetta, Martín Buscaglia, Pescado Rabioso, Peter Gabriel, PJ Harvey, Prince, Rammstein, Red Hot Chili Peppers, Santana, Ska-P, Soda Stereo, The Beatles, The Rolling Stones and Yoko Ono October 2021 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Can you imagine a world without police? It's hard to think about it. I would say even risky. The problem is the way they behave, the victims they choose: PICKETERS, ROCKERS, BLACKS, POOR, MARIJUANERS, are their favorite catch. In this program, rock sings to the police... and not in very good terms. We are joined by: Arbol, Claudio Gabis, Cypress Hill, Dead Kennedys, HER, Happy Mondays, León Gieco, Los Abuelos de la Nada, Los Piojos, Los Twist, NWA, Northern Faces, Once Tiros, Paulina La Popi, Quinteto Negro La Boca , Radiohead, Paranoid Mice, Redonditos de Ricota and Urban Resistance November 2021 Martin 1 Sexoh! 00:00 / 01:04 2 Sexoh! 00:00 / 01:04 3 Sexoh! 00:00 / 01:04 4 Sexoh! 00:00 / 01:04 click to watch uncensored In this program the musicians sing to sex. We warn because it may affect the sensitivity of some people. Do not say that we did not warn. They warm you up Aguaturbia, Grindhouse, Hakuna Tanaka, James Brown, Juliana Hatfield, Kraftwerk, Led Zeppelin, Lito Vitale/Pedro Aznar. Los Prisioneros, Luis Alberto Spinetta, Martín Buscaglia, Pescado Rabioso, Peter Gabriel, PJ Harvey, Prince, Rammstein, Red Hot Chili Peppers, Santana, Ska-P, Soda Stereo, The Beatles, The Rolling Stones and Yoko Ono October 2021 sexo Pandemia 1 Crónicas Musicales de la Pandemia 00:00 / 01:04 2 Crónicas Musicales de la Pandemia 00:00 / 01:04 3 Crónicas Musicales de la Pandemia 00:00 / 01:04 4 Crónicas Musicales de la Pandemia 00:00 / 01:04 The pandemic brought a new way of making music: split screens, zoom, and each one from their confinement. Participating in this program: Pearl Jam, David Lebon, Roger Waters, Divided, Dinosaur Jr. Paul McCartney, Palo Pandolfo, Indio Solari, Bono and many more. August 2021 banda 1 Bandas de Mujeres 00:00 / 01:04 3 Bandas de Mujeres 00:00 / 01:04 2 Bandas de Mujeres 00:00 / 01:04 4 Bandas de Mujeres 00:00 / 01:04 Las Kellies, L7, Chastity Bell, Childbirth, Girlpool, Viudas e Hijas de Roque Enroll, Grass Widow, Fanny, Che-A, Berlin Brides, Las Taradas, Hijas de Zion, Amanda X, The Ace of Cups, The Coathangers, Lilits , Blacanblus, The Pierces, The Rebel Pebbles, Orquesta de Señoritas La Comunacha, Sleater-Kinney, Savages, Pussy Riot, Venus, Peaches, Femina, Warpaint. WATCH VIDEO "Pussy Riot" June 2018 Aborto 1 Músicos por el aborto legal 00:00 / 01:04 2 Músicos por el aborto legal 00:00 / 01:04 3 Músicos por el aborto legal 00:00 / 01:04 4 Músicos por el aborto legal 00:00 / 01:04 August 2018 coronapaja Coronapaja 00:00 / 01:04 March 2020 Demasiado 1 Demasiado Joven para Morir 00:00 / 01:04 2 Demasiado Joven para Morir 00:00 / 01:04 3 Demasiado Joven para Morir 00:00 / 01:04 4 Demasiado Joven para Morir 00:00 / 01:04 July 2019 click on the photo to enlarge Embarazadas January 2107 1 Embarazadas 00:00 / 01:04 2 Embarazadas 00:00 / 01:04 3 Embarazadas 00:00 / 01:04 4 Embarazadas 00:00 / 01:04 Futbol 1 Futbol 00:00 / 01:04 2 Futbol 00:00 / 01:04 3 Futbol 00:00 / 01:04 4 Futbol 00:00 / 01:04 June 2018 Hermanos 1 Hermanos 00:00 / 01:04 2 Hermanos 00:00 / 01:04 3 Hermanos 00:00 / 01:04 4 Hermanos 00:00 / 01:04 September 2020 Malas Palabras 1 Las Malas Palabras 00:00 / 01:04 2 Las Malas Palabras 00:00 / 01:04 3 Las Malas Palabras 00:00 / 01:04 4 Las Malas Palabras 00:00 / 01:04 February 2016 Navegando 1 Navegando 00:00 / 01:04 2 Navegando 00:00 / 01:04 3 Navegando 00:00 / 01:04 4 Navegando 00:00 / 01:04 December 2015 Plagio 1 Plagio 00:00 / 01:04 2 Plagio 00:00 / 01:04 3 Plagio 00:00 / 01:04 4 Plagio 00:00 / 01:04 July 2016 1 Violencia de Género 00:00 / 01:04 2 Violencia de Género 00:00 / 01:04 3 Violencia de Género 00:00 / 01:04 4 Violencia de Género 00:00 / 01:04 May 2017 Violencia Alcoholicos 1 Alcoholicos no tan anónimos 00:00 / 01:04 2 Alcoholicos no tan anónimos 00:00 / 01:04 3 Alcoholicos no tan anónimos 00:00 / 01:04 4 Alcoholicos no tan anónimos 00:00 / 01:04 October 2021 Listen in moderation. This is the music that refers to alcohol with Amy Winehouse, Carlos Gardel, Cuca, Divididos, Guns N Roses, Janis Joplin, Joe Bonamassa, Manos Fillipi, Mike Laure, Mägo de Oz, Muddy Waters, Pappo, Ronnie Wood, Roque Narvaja , The Doors, The National, The Paul Butterfield Blues Band, The Who and Wishbone Ash July 2016 2 - Marihuana 00:00 / 25:20 4 - Marihuana 00:00 / 23:53 5 - Marihuana 00:00 / 25:15 Marihuana 1 - Marihuana 00:00 / 23:47 3 - Marihuana 00:00 / 25:52 cocaina 1 Cocaina 00:00 / 01:04 2 Cocaina 00:00 / 01:04 3 Cocaina 00:00 / 01:04 4 Cocaina 00:00 / 01:04 December 2021 lsd 00:00 / 01:04 ver videos May 2020 LSD 50 1 La Década del 50 00:00 / 01:04 2 La Década del 50 00:00 / 01:04 3 La Década del 50 00:00 / 01:04 4 La Década del 50 00:00 / 01:04 November 2015 60 1 La Década del 60 00:00 / 01:04 2 La Década del 60 00:00 / 01:04 3 La Década del 60 00:00 / 01:04 4 La Década del 60 00:00 / 01:04 5 La Década del 60 00:00 / 01:04 6 La Década del 60 00:00 / 01:04 7 La Década del 60 00:00 / 01:04 8 La Década del 60 00:00 / 01:04 June 2016 The 70's 2019 mujeres 1 Mujeres en la música 00:00 / 01:04 2 Mujeres en la música 00:00 / 01:04 3 Mujeres en la música 00:00 / 01:04 4 Mujeres en la música 00:00 / 01:04 January 2017

Una revista de Jorge Pistocchi. El Festival, el show de los Redonditos de Ricota en Excursionistas, y todos los números editados para ver o descargar El Festival EXPRESS gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff NIBBLE HAIR JORGE Testimonials The Round Ones Photos and videos The festival Magazines Start Hot Bread Festival Pan Caliente magazine, after fighting the streets for five issues in Argentina '81, reached a paradoxical situation: being an editorial success and an economic failure at the same time. Various reasons, such as the increase in paper, devaluations, distribution expenses, general advertising slump, were cornering us in that impasse in which the best dreams vanish. We had already decided to cut the trip short when some musician friends came up with the idea of holding this recital to take the bread out of the fire before it charred. The thing was growing until a date and a place where we hope that all this will become a real party. This festival was possible thanks to the support of musicians and different people who volunteered their shoulders so that the magazine "PAN CALIENTE" continues... Doing freelance journalism these days is not an easy thing. Mainly because economic difficulties multiply in any editorial project that does not make concessions in its content... This experience is not new for those of us who make this "Bread" for these same reasons, other dreams fell to the ground, and if this time a way out arises, it is because of that pure love that we mentioned at the beginning. Organizing this meeting was somewhat complicated since this is not our job, so we ask that you collaborate as much as possible to help us overcome difficulties and make this a party for everyone... If everything goes well, the first days of March we will meet again. Thank you... HOT BREAD _cc781905-5cde-3193-bb8b3d5 Fotos 1/21 The Stage: How to set up a stage at the Excursionistas Club. It occurred to Jorge to put together two truck trailers that would serve that purpose. There were many problems but the main one was that they did not fit through the doors of the club... Honestly (my memory is half burned at this point in life) how was this solved, but they finally entered. The Tickets: We were happy with how the previous sale had developed. The tickets were photocopies that I signed one by one with a light blue marker. We saw the public enter but not the collection. They told me that they were selling tickets in Barrancas de Belgrano, which was where the people came from. I ran there. There were like five or more scalpers who had easily forged the tickets. What were we going to do? Call the gray? Not even dreaming... Thanks to our ingenuity we could not raise enough to continue with the magazine. El Polvo: It was difficult to see what was happening on stage because of the gigantic stick that raised a curtain of earth. They say that Monona de los Redonditos got naked on stage. I don't remember, it would be because with Jorge we were discussing with SADAIC that he wanted to take the money for the number of people in the stadium and not for the tickets that were actually sold. Of course, who could convince them that we had been so foolish as to issue tickets so forgerable (The other day I found that someone had put a ticket for the Festival on Mercado Libre for sale, but it was gone. Could it have been fake or the real one?) videos Video taken fromChannelZero Redondos 40 years have passed excursionitas On January 2, 2022, the Excursionistas Club released a video commemorating the Pan Caliente Festival. We add some memories collected these days. Diarios Keep reading... Keep reading... testimonios TESTIMONIALS Miguel Grandpa's Cap I had just arrived from living for a while in Bahia, Brazil, after the Imaginary Express, and, back in Buenos Aires, I was collaborating with Jorge on Pan Caliente. I had brought a woven cap, typical of Bahia, and I didn't even take it off to…sleep. Miguel, when he was about to go on stage with the newly formed Abuelos de la Nada, asked me to borrow it to perform. It fit her very well, as you can see in hundreds of photos. I never saw her again! Pipo Lernoud Memory of Fernando de la María Aqui va el rollo de mis recuerdos del festival.. Yo cuando decidieron que harian el festival en una cancha les dibuje en posible escenario donde habian partes que se desplazaban hasta el medio de la cancha!! KKKK por supuesto delirios de arquitecto joven ... y totalmente fuera de toda posibilidad economica para el presupuesto . La historia es que alguien les mostro adentro de un estudio un enorme escenario de 7x7 o 9x9 ya no me acuerdo.y se quedaron tranquilos ..... hasta que lo vieron armado en la canchay se dieron cuenta que parecia un banquito .Jorge junto con Jorge Kaczewer y Boris (1) me llamaron y pasaron a buscar por mi casa . Ya de vuelta y escurriendome los sesos para como resolver el*problemita* de la falta de escenario, frente al estadio de River paso al lado del auto un camion con acoplado. Me acorde de un filme Zacharias (western rock) en el que tocaban arriba de carretas.(si no la viste buscala es de culto) Eso fue el dia 29. Volvimos a gascon (la redacción) y se pusieron tras el alquiler de los dos acoplados que finalmente se pusieron adelante del que ya estaba armado y hubo pues un escenario de 25 mts de frente . Despues de casi tirar abajo el arco por el que tenian que entrar los acoplados a la cancha,(los salvo el chofer al bajar las gomas) pensamos con los jorges que seria buenisimo que ya que habia dos dias de fuelle para la data del evento ,bien podriamos hacerle un techito !! Se me ocurriuo que si armabamos una estructura de hierro y ya que Pistocci lo habia convencido a Agustin Amat de donar unos rollos de tela con dos arcos atabamos las telas adelante y atras y LISTO! ... Hubo un monton de gente que ayudo a amarrar las telas ,primero entre si y despues a la ridicula estructura que habiamos conseguido armar con los fierros soldados por algun amigo de Jorge Kak. Le pusimos hasta techo!! Terminamos de amarrar todo casi sobre la hora de la apertura Todo estaba sorprendentemente en su lugar, hasta que ya empezado el festival,el viento comenzo a soplar, y las estructuras a DOBLARSE los tachos de Quaranta estaban colgados de ahi!! KKKKK En ese momento me parece que estaban tocando los MIA atamos unas trinchetas en la punta de unas cañas y Cou Gabriel y yo nos pusimos a tajear el techito para que el viento pasase sin embolsarse,y dejara de hacer fuerza, los del publico aplaudian ,supongo por que pensaban que era parte del espectaculo !!! Al rato sacamos los trapos y despues todo fue relativamente tranqui. salvo lo de la monona que la realida fue que EL policia que habia le rogo a Gabriel (el chileno) que la tapase por que sino hasta el iba en cana!!y cuando el candombe de los La Fuente levanto la ´polvareda y aparecieron los gendarmes, pero eso ya lo tenes que recordar vos ... en fin ... Cuando vaya a Baires paso a por un brindis con vos ABRAZON ! (1) @Boris Krygel fue uno de los que aportaron para que Pan Caliente se pudiera editar brindando no sólo ahorros sino toda la onda... The collective dusting of La Fuente at the Pan Caliente Festival, a flare of freedom in the darkest night by Jorge Senno Pan Caliente fue una idea de Jorge Pistocchi, que se fue del Expreso Imaginario por disidencias ideológicas (no estaba de acuerdo que una revista como el Expreso sea a la vez productora de espectáculos) y fundó una revista llamada "Zaff, la revista del tiempo que no llegó. Los editores de Zaff!! se imaginaban otra revista. De hecho publicaban aquellas revistas amarillas y otra de golf. Y cuando murió John Lennon le pidieron que haga un especial de urgencia que chorrease sangre... No era de Jorge aprovecharse de las circunstancias y ese fue el fin de Zaff!! Pescador de editores, Jorge convencía con el ejemplo. Lo importante era comunicar, comunicar un sueño... Y así fue como un jugador de fútbol del Club San Telmo, Julio Balbi que tenía una imprenta y Boris Krygel, que de editaores no tenían nada pero de buena onda.... mucha. Así nació Pan Caliente, un delirio total. Desde su formato a su anarquía. Una revista que llegó a tocar fondo y que hizo un festival donde participaron los principales músicos de la época. Se llamo el "Festival Pan Caliente para sacar una idea adelante". Pero no alcanzó. Una gigantesca falsificación de entradas (era todo muy ingenuo y las entradas tan toscas que alcanzaba una fotocopia para hacerla real) hizo que a pesar de llenar el estadio Excursionistas los fondos no aparecieran. Pero inclaudicable Jorge inició una segunda etapa con el editor de "El Porteño". Lo nombro? Bueno, lo nombro Gabriel Levinas. Levinas, Lanata, que fueron con el correr de los años girando hacia la derecha descarnada. "De jovenes todos fuimos comunistas" era una frase hecha pero real en estos casos. Pero Jorge se mantenía en sus sueños y no los abandonó hasta su fallecimiento el 28 de setiembre del 2015. Pobre como siempre lo fue. monona The nakedness of Monona, the needle-heeled mummy for um um "With the prettiest legs, the prettiest legs I've ever seen..." Era un sábado soleado, era un festival en un predio, eran las polleras hindúes, éramos lindas chicas con transparentes blusas de bambula y sandalias de cuero trenzado, eran los chicos de morrales y barba, éramos tan zurdos, éramos tan hippies, éramos tan jóvenes.... La historia me la acuerdo más o menos así: Jorge Pistocchi, un periodista del Expreso Imaginario, sacaba una revista llamada Pan Caliente. Gran revista: Egberto Gismonti, ecología, anarcos alemanes, como hacer pan casero, los rolling stones, la poesía de Ginsberg. Yo la compraba. No fue un record de ventas, ni la gente se agolpaba en los kioscos de revistas esperando su salida.En esa época –hablo de enero del año 1982, hablo de ese año atroz donde muchos de nuestros amigos se morirían de hambre, de frío o de balas en la guerra más estúpida del mundo por dos islas de mierda, copadas a fuerza de balcón y vaso de whisky en la mano y peleada por niños que salían del colegio a enfrentar a la armada invencible con un fusil de juguete en la mano- el año empezaba, y aún no era una mierda.Con Gustavo y amigos fuimos a Excursionistas de Belgrano a la tarde.Pan Caliente estaba en peligro, y Gustavo en esa época andaba de amigo con el Coco Romero, hoy master de murga en el Centro Cultural Ricardo Rojas pero por aquellos días un flaco muerto de hambre percusionista de una banda llamada La Fuente que tenía temas llamados “La Vaca” (era la época de la metáfora, entiendan que los militares gobernaban), “Huayno” y “Carnavalito”. Había que hacer el aguante.Anduvieron por allí desde Lito Nebbia hasta los Abuelos de la Nada (recién llegados de Ibiza, lisérgicos, con corbatas....a puro tomatazo!), los MIA (con Lito Vitale lleno de cabello y 17 años), Alberto Muñoz (tremendo poeta), un adolescente y ya gordito Lerner (horrible!) y, también virando a lo boludo, Piero (aún no con Prema, pero ya mezclando el “Para el pueblo lo que es del pueblo/ porque el pueblo se lo ganó/ para el pueblo lo que es del pueblo/ para el pueblo revolución” con el “Tranquilo, manso y tranquilo...” y la gente –éramos 5000 coloridos – que amenazaba comerlo con ketchup al ex revolucionario actual tirador de claveles). Pero eso es pura anécdota: déjenme contarles lo más loco de aquella jornada. Porque nosotros fuimos a ver a Patricio Rey y sus Redonditos de Ricota, banda a la que seguíamos hacía un tiempo en unos shows que daban en teatros alquilados en San Telmo. No recuerdo como conocí a los Redondos: es la verdad. Tal vez fue por el Mufercho, el que cocinaba los redonditos de ricota comestibles y una torta verde que guardaba 6 meses en una lata de pan dulce en su casa de Wilde. Tal vez por Symms, que se rodeaba de niños como nosotros para que le paguemos la ginebra y contar anécdotas de los 60 en su mesa del Británico. O a lo mejor por Skay, eterno guitarrista de anteojos negros que caminaba siempre las librerías de Corrientes y charlaba entre fernet y fernet de sus experiencias comunitarias en los 70 en La Plata (nosotros tomábamos chocolate en la Giralda, y lo escuchábamos maldiciendo no haber nacido diez años antes). No recuerdo como los conocí, pero yo estaba en el campo de Excursionistas para ver y escuchar a Los Redondos. Estaban Marcelo Rubio, Laura C. (hoy capa psi en Francia), Todaro (que sacó la foto, y ahora trabaja para Mc Donalds y otros), Carolina (meteoróloga, vive en USA), el enano Adrián, Willy Crook (bellísimo, con las petacas asomando del bolsillo), Daniel Melingo, unos heavys hinchando por rock'n'roll –entiendan que en el 82 había dos o tres recitales por año, y todos convivíamos en desarmonía-, el Indio Solari que aún caminaba en el césped de una cancha, Ricardo Mollo –que tocaba en MAM y tenía unas niñas pequeñitas- y toda una caterba de futuros próceres del rock'n'roll, del psicoanálisis, de la política, de la literatura. Estábamos todos y entonces subieron ellos... “Viejo Caryl Chessman, viejo Caryl Chessman, / respira otra vez / ya llegó la hora lubrica tus branquias / respira otra vez/ Viejo Caryl Chessman gritaba enfurecido / ¡Un tal Brigitte Bardot!” Qué contarles de los Redondos de aquella época, amigos.... El Indio tenía pelo y aún era maestro de chicos con discapacidad (sordos, me parece). Skay estaba igual de flaco, siempre con los anteojos negros, contorsivo, sonriente... Poly era la manager y era muchoooo más grande que nosotras, más hippie, más capa... Lo interesante de los Redondos, además de lo musical, era el séquito ricotero, lo que se perdió –además de la vida de Walter Bulacio, pero esa es otra crónica- en los 90s. Estaba el Doce, o docente, ex preso de Devoto (está en el libro de Elias Neuman sobre el motín del 78), estaba el tremendo Enrique Symms lejos de la Cerdos, cerca de la ginebra, con monólogos que podían durar una hora hasta que la negra Poly se pudría y lo mandaba a bajar a los tirones, o arrastrando sus huesos ya cuarentones, estaba el Mufercho, cocinero amateur que inventó la receta de los redonditos de ricota y lo ricos que eran, y estaba ella....la striptisera, cuerpo musculoso, cara de mil ángulos.... Ella.... Y el Indio, en esos días parecido a Tom Waits a fuerza de carraspera aguardentosa, arrancó con el "Monona Blues" y ella subió de momia y su amiga María Isabel la fue dejando en pelotas y no crean los ojos de los pibitos y el estupor de las niñas de trenzas en el pelo y vestimenta colorida. La tipa mostraba los pelos del pubis, dos tetas como conos de helado y se montaba en taco aguja cuando por eso que se conoce como “histeria colectiva” desde el campo comenzó una silbatina, volaban objetos, subía la cana y Jorge Pistochi trataba de que no hubiera lesionados y la negra Poly, con la cara ancestral se peleaba con la cana y le decía que lo dejen a Pistochi en paz, que él no sabía lo que iba a pasar, y que si alguien iba en cana ella era la primera. Permítanme una analogía: si en el siglo XXI el transgresor del rock es el Pitty Alvarez, en los '80 y con dictadura un show de rock en el que una mina terminaba en pelotas era la respuesta desesperada de un estallido que estaba ahí nomás pero que no sabía hacerse escuchar. Monona terminó su show y se bajó, los canas al costado del escenario supervisaron que no acontecieran mas actos reñidos contra la moral, los Redondos terminaron con "Mariposa Pontiac" y nosotros caminando hasta una pizzería a comer sándwiches de queso con cerveza fría, aún conmovidos, aún atónitos, sin saber que estábamos en los albores de una época cultural impresionante, donde algún amigo se nos moriría por la estupidez de una dictadura que se caería a pedazos, y seríamos siluetas, seríamos grito, seríamos punks, heavys, modernos, darks, redondos... Fuente: http://klamahama.blogspot.com/ This photo, unpublished until today, was a gift from its author, Jorge Todaro, to our editor in those happy days. In the foreground Monona naked. And in the background, still wearing some clothes, in a pose almost identical to the photo above. The anecdote tells that Todaro had liquidated his roll, but he shot just the same, just in case. The result is in sight MEDIA

Tres historias distintas... Orejas al Universo, un programa de música que cuenta historias; Jorge Pistocchi, fundador del Expreso Imaginario y Pan Caliente; y Gogabolsón, un proyecto que... Marzo - Abril 2025 Al hablar de su vida, Andrea se deja llevar como un torbellino de recuerdos. Actor, hombre de cine, músico. Su familia, sus andanzas en esta Historia de Vida. rosso 1 Se podrán escribir muchas enciclopedias sobre el rock, pero pocos casos son una enciclopedia viviente como Alfredo Rosso. En estos momentos tiene 5 programas de radio en distintas emisoras. De eso hablamos y de su vida, su historia y obviamente, de Rock Segunda parte del reportaje a Alfredo Rosso donde recorremos su vida. Mordisco, Expreso Imaginario, La Mano, su experiencia eligiendo los discos que marcarían el gusto argentino por el rock, sus programas de radio. Todo y mucho más... Rosso 2 La música le canta al LSD, o el LSD le canta a la música? Sea como sea este es un programa lisérgico con todos los musiques dedicándole sus canciones (o el ácido inspirandolos) Además muchos videos que podés ver haciendo clic aqui Soda Redondos lsd Así como existen River y Boca, el rock tuvo como "antagonistas" a los Redondos y a los Soda. En este programa recorremos, disco a disco, el camino que han recorriedo ambas bandas. Y poniendo nuestras orejas veremos que podemos gustar de unos y otros. O no. Pau Desde hace 42 años, Fernando Pau atiende en su disquería Abraxas en Av. Santa Fe 1270. Una vida navegando por los surcos y por el plateado de los cd´s. En este programa nos cuenta de su experiencia sobre la industria y otros surcos. Sol Tanta música esta dedicada al Astro Rey, para los amigos Sol, que no entraban en un programa. Primer programa con toda la música... Se recomienda protector solar 50... Segundo programa del Sol con más música que te ilumina Botón Enero-Febrero 2025 Home Mayo-Junio 2025 Botón

Jorge Pistocchi, su vida, su obra. Fue el creador de las revistas Mordisco, Expreso Imaginario, Zaff! y Pan Caliente. Sus frases, los artículos que se publicaron acerca de sus revistas y la colección completa de muchas de ellas. Resume To the readers Youth Photo Pipo Miguel Grandpa Spinetta Peter Count Cosmic Center lavalol the baggin Mouth not everything is roses Phrases Videos Miguel Grinberg gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE Start Making this website the dilemma arose: to paint Jorge as a perfect being or also to paint him in all his (subjective) dimension. Jorge awakened many things in me, many changes or ratifications in my way of thinking, but sometimes also the frustration of not understanding that not only his path is the right one. Just as at one point he helped me grow (endless nights talking about ecology, rock, life...) and at others it seemed only to listen to him. Regardless of affection, there were times when I went from friend to enemy, from being on the "good track" to going off course. But who (other than me) is perfect? Hello Ralph, I was looking closely at the page of"Radio Goga " , It really helped me a lot and helped me understand many things, something vital at this time when we are about to launch the Imaginary Express radio. Like in Star Wars, ships with their own crew, their own goals, their own slogans. The Goga ship in particular, in fact so charged with Biblical connotations that I inevitably associate it with Noah's ark, so packed with passengers of various feathers that they intermittently transform the ship into the tower of Babel. It would take a long time to make an analysis of the mega project that you are facing, I think it has brilliant aspects but ideologically I understand that it continues along the lines of La Mano or Cerdos y Peces, publications I feel related to the magazine project more than with El Expreso " El porteño" edited by Gabriel Levinas after the incorporation of Enrique Simms, (the underground angel). Speaking of Enrique, I think it would be interesting if you do the report you proposed to me, it is an opportune moment since I know he wrote a book where he develops his favorite subject, that of pedophilia. I understand that it may be the transgressive quota that would balance the politically correct rest. Well Ralfi, I insist that the reunion was a great joy that confirmed to me that from the bottom of the past love is still intact, and I hold on and squeeze him and kiss the corner of his smile, so fresh, beyond time. If you feel like calling me, as the Peronists sang in the eighties "you will find a good friend"... ... Phrases frases 1/8 Edited by Spring Hornos videos Videos Miguel Grinberg While the moon reddened, Jorge was detached from his stubborn bones, Open your arms to the Universe and widened the field of his daring. Far from solemnity, face to face with the Light, the endless flurry of hallelujahs that he sang standing up, ever upwards, endowed with mad daring, in a state of indefatigable earthly pilgrimage, attentive to the vibrations of an entire generation, I woke up when everyone was simulating normality and resting what is necessary to resume the fight. While many meekly observed the sky, her heart turned the page and jumped into space fully spreading the wings of his itinerary, not to abandon the rhythm of the express imaginary who manned at all times as an unalterable sower, faithful and daring in the midst of the blinded multitude. Not to give up the battle or to call a truce, but to continue it from another plane, unlimited, just as his soul always induced him, without looking back, with the horizon as landscape and life without fear. The image of the Moon was fading overhead, predicting times of shock and revelations. He knew where the best prophecies were housed. He disseminated certainties with extreme generosity. He knew how to define the path to clarification of priorities and the exercise of powers. He just keeps planning conspiracies. There he goes: awake forever, for a walk, smiling. I met Jorge Pistocchi when he put his soul and money into carrying out the luminous experience of "Almendra". Around 1971, in his department. Viamonte Street, with a group of musician and poet friends (Luis Alberto Spinetta, Emilio del Guercio, Rodolfo García, Hugo Tabachnik, among others) we began to reflect on the human experience on planet Earth. On his electric typewriter, a techno-novelty of the time, I typed an entire issue of my "Counterculture" magazine. Then came my program "El Son Progresivo" on Radio Municipal, the meetings with the Rock public in Parque Centenario, his magazine "Mordisco", Luis' recitals with "Artaud" at the Astral, and a dizzying array of other pioneering achievements, such as the "Expreso Imaginario" magazine. Another friend, Mario Rabey, contributed to the creation of the "Manioca" label (disincarnated a few days ago and pioneering achievements, such as the "Expreso Imaginario" magazine. Another friend, Mario Rabey, contributed to the creation of the "Cassava" label (disincarnated a few days ago and we miss him.) Pipo Lernoud kept the spirit of La Cueva latent... Many confluent stories, that someone should document. Today, Ralph Rothschild fights to finish the Goga Auditorium in El Bolsón, while others continue to plant certainties in Epuyén, San Marcos Sierra, Traslasierra, Capilla del Monte, Cachi, Ushuaia, Bariloche, and other points of light. In short, we were and are the people we have been waiting for. - I met Jorge Pistocchi when he put his soul and money into carrying out the luminous experience of "Almendra". Around 1971, in his department. Viamonte Street, with a group of musician and poet friends (Luis Alberto Spinetta, Emilio del Guercio, Rodolfo García, Hugo Tabachnik, among others) we began to reflect on the human experience on planet Earth. On his electric typewriter, a techno-novelty of the time, I typed an entire issue of my "Counterculture" magazine. Later, my program "El Son Progresivo" appeared on Radio Municipal, the meetings with the Rock public in Centenario Park, his magazine "Mordisco", Luis's recitals with "Artaud" at the Astral, and a dizzying array of other pioneering productions, such as the magazine "Expreso Imaginary". Another friend, Mario Rabey, contributed to the creation of the "Cassava" label (disincarnated a few days ago and pioneering achievements, such as the "Expreso Imaginario" magazine. Another friend, Mario Rabey, contributed to the creation of the "Cassava" label (disincarnated a few days ago and we miss him.) Pipo Lernoud kept the spirit of La Cueva latent... Many confluent stories, that someone should document. Today, Ralph Rothschild fights to finish the Goga Auditorium in El Bolsón, while others continue to plant certainties in Epuyén, San Marcos Sierra, Traslasierra, Capilla del Monte, Cachi, Ushuaia, Bariloche, and other points of light. In short, we were and are the people we have been waiting for. - PELO

Tangible and Intangible And it was then that Dr. Orejas wondered: what is tangible, what is intangible. I asked God: "What are you, tangible or intangible?". He replied: "I am God, I am both, I am EVERYTHING" "And why can't I touch you?" I asked. And he replied: "The essential is invisible to the touch." Phrase that sounded similar to me but not the same. A library is something tangible, right? But at the same time it is intangible. And friendship, and love, and lies, and dreams....? It was so difficult for Dr. Orejas to classify these programs that he grouped them into the Tangible and the Intangible. Or vice versa. As you like. Amistad Amor Biblioteca Bicicletas Bombas Cartas Despedidas Diablo Dinero Dios & Roll Guitarras Martillo Mentira Navidad Papa "Porro" Noel Sonrisas Sueños del Norte Sueños del Sur Telefonos Volar

Tres historias distintas... Orejas al Universo, un programa de música que cuenta historias; Jorge Pistocchi, fundador del Expreso Imaginario y Pan Caliente; y Gogabolsón, un proyecto que... Mayo 2025 a-f Este programa es un juego arbitrario donde vamos a aprender el abecedario. Y es la excusa para un juego donde el Dr. Orejas ha seleccionado bandas y solistas cuyos nombres comienzan con la letra en que esta ordenado el alfabeto. Es además, un programa que sirve para conocer los artistas favoritos del Dr. En esta primera entrega recorremos desde la A hasta la F. chelsea Ubicado en Nueva York el hotel Chelsea no es cualquier hotel. Entre los más conocidos que pasaron por el Chelsea están Keith Richards , Patti Smith , Virgil Thomson , Dee Dee Ramone de The Ramones , Henri Chopin , John Cale , Édith Piaf , Joni Mitchell , Bob Dylan (escribió en este hotel Sad Eyed Lady of the Lowlands dedicada a Sara Dylan ), Janis Joplin , Jimi Hendrix , Sid Vicious (que mató allí a su pareja), Leonard Cohen , Anthony Kiedis , Bob Marley , y muchas canciones fueron dedicadas al Chelsea. Allí Arthur Clarke escribió 2001, Mark Twain, Charles Bucowski, Andy Warhol y muuchos más. La lista es interminable. Pese a su avanzada edad, el Dr. Orejas sigue buceando en la nueva música descubriendo nuevos sones de bandas o solistas muy poco conocidos y en algunos casos artistas ya consagrados nos sorprenden con nuevos álbumes. En este programa recorremos los meses de enero y febrero 2025 y lo que suena es FACS, Rats On Rafts, Lambrini Girls, Franz Ferdinand, Ringo Starr The Legendary Pink Dots, Pastel, Flipturn, Dax Riggs, Matt Berry, Sun Kil Moon, Dream Theater, Guided By Voices, Manic Street Preachers, Bartees Strange, Horsegirl, The Lumineers, The Murder Capital, Julian Sas, The Limiñanas, Motorpsycho y Doves albumes enero 2025 Botón Marzo - Abril 2025 Home

Ancla 1 2015 2016 2017 2018 2019 2020 2021 Ani Difranco Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 The Feelies - The Mountain Goats - Spoon - Michael Chapman - The Spirits - Why? - Youth Killed It - Ryan Adams - All Them Witches - Bad Temper Joe - Wire - King Gizzard & The Lizard Wizard - Soda Stereo - Slowdive - Bad//Dreems - Ani DiFranco - Thurston Moore - Charly Garcia - Roger Waters - The Kooks - Gene Loves Jezebel - Depeche Mode 1 john mayall Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 2 Kasabian - John Mellencamp - Jesca Hoop - John Mayall - Imagine Dragons – Arbouretum – Alt-J - Foo Fighters - Clap Your Hands Say Yeah - Die Toten Hosen – Elbow - Feist - Dropkick Murphys – Fufanu - Deep Purple - PJ Harvey - The Chainsmokers – Coldplay - Ed Sheeran - Fleet Foxes – Ibeyi – Cast - Magic Giant y Vargas Blues Band Guided by Voices Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Youth Killed It - The Magnetic Fields - The Underground Youth - Steve Hackett - Guided By Voices - Residente - Manu Chao - Roadkill Ghost Choir - Julian Cope - One Day, After School... - Ha Ha Tonka - Procol Harum - Hoops - The New Year - Smile Empty Soul - We Are Monroe - Jesu & Sun Kil Moon - Mary Ocher - Sleater-Kinney - Pierce Brothers - Sheryl Crow - Juana Molina - No Money Kids - Vant - Liam Gallagher 3 Quartet of Us Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 4 Rise against - The Jesus And Mary - Chain - The Goo Goo Dolls - Secondhand Serenade - The Verve Pipe - Little Hurricane - The Homesick - The Brian Jonestown Massacre - North Mississippi Allstars - Gilligan Smiles - Natalia Lafourcade - Miss Bolivia - Gustavo Santaolalla - Sufjan Stevens - The Blue - Airplanes - Dope Lemon - Balance and Composure - The Quartet of Nos - The Chaos Theory - Carolyn Wonderland – Tamikrest - Las Rosas - Moby & The Void Pacific Choir - Fairport Convention – Ozomatli - Frightened Rabbit - Toothless Tonolec Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Judah & The Lion - Kite Base - The Shins - Miraculous Mule - The Flaming Lips – Headstones - The Wood Brothers - Juliana Hatfield - Sleepy Sun - Bad Gial - Queen of the Stone Age - Black Angels The Sadies - Cowbell - Mumford and Sons - Tonolec - Delbert McClinton - John Martyn - Mark Lanegan - Geoff Gibbons 5 Animal Collective Soccer , Paddy and the Rats , Animal Collective , tinariwen , Taj Mahal & Keb' Mo' , Ian Anderson , real estate , Joshua James , The Cranberries , Anna Calvi , The Chainsmokers , Summer Moon , Watermelon Slim , space patrol , Ethereal Perfume , new love , unkle , Farmers! , iron and wine , point it to me , buika , Kevin Morby 6 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 The National Cowbell, Ron Gallo, 311, Post War Glamor Girls, The Builders and the Butchers, The Mountain Goats, MISSIO, The National, Half Japanese, Hawkwind, The Stevenson Ranch Davidians, Meatbodies, Ride, Alice Cooper, The Verve Pipe, The War on Drugs, Cold War Kids, Skipinnish, The Kills, Gov't Mule, Lorde, Lindsey Buckingham & Christine McVie 7 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 The Aphgan Wigs Delbert McClinton - The Afghan Whigs - James Elkington - Tim Cohen - The Strypes - Uriyah & The Psychedelics – Cast – Hollerado - Jason Loewenstein - Geoff Gibbons - Carolyn Wonderland - Cable Ties - The Routes - Menace Beach - Psymon Spine – Incubus - Modern English - American Opera - Sigmund Fried – Styx - Dead Letter Circus - Trevor Sensor - Big Hogg - This Is The Kit - Coldplay 8 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 robert plant Robert Plant - Amy 0- First in Space - The Fall The Fresh and Onlys - Daughter - Bomba Estereo The War on Drugs - The Dream Syndicate -Brand New - Whitehorse - Savoy Brown - Beck Tori Amos - Queens of Stone Age - Oh Sees Richard Thompson - The Creeps - LCD Soundsystem Gogol Bordello - Greg Allman - Steven Wilson 9 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 tribalists Gang Of Youth - Filthy Friends - Emma Russack - Flamin Groovies - Deerhof - U2 - Bjork - The Accidentals - Nadine Shah - Motorpsycho - Cat Stevens - Tera Melos - Living Color - The Cadillac Three - The The - Courtney Barnett & Kurt Vile - Billy Corgan - Tribalists - Our Lady Peace - The Surfing Magazines - Neil Young - Joan Osborne - Baby In Vain 10 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Van Morrison Fink - Bruce Cockburn - Avenged Sevenfold - Mars Overdrive - Chris Thomas King - Wolf Parade - The Corrs - Pond - Luna Pale Sees - Gizmodrome - Foo Fighters - Dan Holt - LA Witch - Marilyn Manson - Van Morrison - Manchester Orchestra - Torres - Kadavar - Ringo Starr - Donkey Pilots eleven Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Ariel Pink Doveman - Julie and the Wrong Guys - Octaphonic Nahko - Though Age - Liiam Gallagher - Noel Gallagher - Deer Tick - David Crosby - Time Tan - Reverend and the makers - UFO Sufjan Stevens - Ariel Pink - Calexico -Adelitas Way The Horrors The Beaches - Chris Hillman Black - Rebel Motorcycle Club 12 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Garbage - Emily Salient - KT Tunstall - Princess Nokia - Death of Lovers - Valentina Cooke - Jim's Journey Paranoid Mice - Sarah Walk - Sufjan Stevens - Ten Years After - Stereophonics - Eminem - Recwall - Blitzen Trapper Popa Chubby — Mann Chao - El Estrellero - Litto Nebbia y Pez - Bersuit Vergarabat - Chico Buarque - Franz Ferdinand 13 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Manu Chao