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Miniserie de 6 capítulos de Pipo Lernoud, nombre artístico de Alberto Raúl Lernoud1​ (5 de noviembre de 1946), es un poeta, compositor, periodista y precursor de la agricultura ecológica u orgánica en Argentina. Considerado uno de los fundadores del rock nacional argentino. Autor de canciones muy conocidas como «Ayer nomás» (junto con Moris) y «La princesa dorada». Fue fundador y director de revistas de rock como El Expreso Imaginario y Canta Rock, entre otras. mate en el campo mate en el campo 1/60

Jorge Pistocchi, su vida, su obra. Fue el creador de las revistas Mordisco, Expreso Imaginario, Zaff! y Pan Caliente. Sus frases, los artículos que se publicaron acerca de sus revistas y la colección completa de muchas de ellas. Youth Photo Pipo Miguel Grandpa Spinetta Cosmic Center lavalol Photos El Bolson Mouth not everything is roses Phrases Videos Miguel Grinberg Farewell Start To the readers Resume Photos of a stay El Bolson - August 2008 Youth Photo Pipo Miguel Grandpa Spinetta Peter Count Cosmic Center lavalol the baggin Mouth not everything is roses Phrases Videos Miguel Grinberg gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE To the readers Resume Start Dedicated to Ariel MOUTH

Chelsea Places Located in New York, the Chelsea Hotel is not just any hotel. Other musicians passed through there Among the best known who passed through Chelsea Keith Richards , Patti Smith , virgil thomson , Dee Dee Ramone de The Ramones , Henri Chopin , John Cale , Edith Piaf , Joni Mitchell , Bob Dylan (wrote on this hotel Sad Eyed Lady of the Lowlands dedicated to Sarah Dylan ), Janis Joplin , Jimi Hendrix , sid vicious (who killed his partner there), Leonard Cohen , Anthony Kiedis , Bob Marley , and many songs were dedicated to Chelsea. There Arthur Clarke wrote 2001, Mark Twain, Bucovski and many more. Andy Warhol. The list is endless 1 Chelsea Hotel 00:00 / 01:04 2 Chelsea Hotel 00:00 / 01:04 3 Chelsea Hotel 00:00 / 01:04 4 Chelsea Hotel 00:00 / 01:04 December 2021 Bolson 1 De El Bolsón a Athens 00:00 / 01:04 2 De El Bolsón a Athens 00:00 / 01:04 3 De El Bolsón a Athens 00:00 / 01:04 4 De El Bolsón a Athens 00:00 / 01:04 April 2016 Verdulería 1 La Verdulería del Sr. Orejas 00:00 / 01:04 2 La Verdulería del Sr. Orejas 00:00 / 01:04 3 La Verdulería del Sr. Orejas 00:00 / 01:04 4 La Verdulería del Sr. Orejas 00:00 / 01:04 December 2015 Costa Oeste tren Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 A tour of the West Coast in the 60s with Jefferson Airplane, Hot Tuna, Sly and the family Stone, Santana, Spirit, Doobie Brothers, Janis Joplin, Grateful Dead, Love, Electric Prunes, Three Dog Night, Steppenwolf, The Beach Boys, Mamas & the Papas, The Byrds, Country Joe & The Fish, The United States of America, Buffalo Springfield, CSN & The Doors November 2021 Pappo, Sui Generis, Billy Brags, Fleetwood Mac, Alvin Lee, Bob Marley, The The, John Mayall, Pedro Aznar, Phish, Nick Cave, Porcupine Tree, The Paul Butterfield Blues Band, Cat Stevens, Jimi Hendrix, Eric Clapton, León Gieco, Rolling Stones, Ozzy Osbourne, ACDC 1 Un Viaje en Tren 00:00 / 01:04 2 Un Viaje en Tren 00:00 / 01:04 3 Un Viaje en Tren 00:00 / 01:04 1 Un Viaje en Tren 00:00 / 01:04 July 2020 Brasil In November 2018, the second part of thenews of october and half of the program was reserved to shed a tear for our neighbor who, to the astonishment of many, saw how Bolsonaro won the elections. Seen in the distance, the tear turned into crying. Una Lágrima por Brasil 00:00 / 01:04 November 2018 uruguay 1 - Uruguay 00:00 / 01:04 2 - Uruguay 00:00 / 01:04 October 2018

Los inicios de Jorge Pistocchi fueron en la revista Pelo. Aquí están sus notas. JORGE JORGE gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR In August 1972, Jorge Pistocchi sat down in front of a typewriter for the first time in his life. He was twenty-two years old and had already gotten a few jobs as a sculptor. Until then I had no interest in journalism. He had grown up on the street with Miguel Abuelo and the things he had seen and heard had no place in newspapers and magazines. His friend Luis Alberto Spinetta used to insist that he accompany him to the Pelo newsroom, and there he had long discussions with Daniel Ripoll, the magazine's director, whom he accused of showing a face of rock that "ignored reality"._cc781905- 5cde-3194-bb3b-136bad5cf58d_ Ripoll offered him a column to say what he thought. Then he began to write about the need for poets and artists to be in charge of blowing up a system that was dying. He exclaimed that rock should become the catalyst for experiences that would lead to freedom of body and mind. He wrote about fascism and ecology, about the concrete possibility that in a short time life in this world would end. A few months after starting those publishers, he was asked to run his own magazine. He had no experience, but he was convinced that he had to do it. Report: Diego Fernandez Romeral In 1972 I started as a journalist for Pelo magazine. I was more related to the plastic arts; Circumstances had brought me closer to art through sculpture. Before that, I had never written. It had many misspellings and I was embarrassed. If I wrote a letter, I had it checked because it was a mess. I also had a bit of dyslexia and then it was hard for me. In Pelo they told me: “Take half a page and write whatever you want”. And I started quite successfully, many people responded to me. I felt that I had a hot iron in my hand, because I had to start writing; but I felt, at the same time, a commitment to what I was doing. It was a hot iron because there, from an independent position, you very easily made an enemy of everyone. If you said certain things, they were accepted; If you said what you thought, no. I openly said what I thought and had a lot of repercussions for that, for talking about topics that nobody dared. It was a moment in which you had to be on one side or the other. It was a very difficult time to freely say what one thought. I was talking about the reality of that moment from a rock and roll point of view. What the rockers meant at that time is perhaps very difficult to understand from this reality, because there was a very abrupt marginalization. Committing any transgression was highly frowned upon by the people. In Pelo I also drew a comic and it was a lot of fun doing it. http://anccom.sociales.uba.ar/ The cartoon and the opinion columns are taken from the Pelo magazine website: http://www.revistapelo.com.ar/ In 1972 I started as a journalist for Pelo magazine. I was more related to the plastic arts; Circumstances had brought me closer to art through sculpture. Before that, I had never written. It had many misspellings and I was embarrassed. If I wrote a letter, I had it checked because it was a mess. I also had a bit of dyslexia and then it was hard for me. In Pelo they told me: “Take half a page and write whatever you want”. And I started quite successfully, many people responded to me. I felt that I had a hot iron in my hand, because I had to start writing; but I felt, at the same time, a commitment to what I was doing. It was a hot iron because there, from an independent position, you very easily made an enemy of everyone. If you said certain things, they were accepted; If you said what you thought, no. I openly said what I thought and had a lot of repercussions for that, for talking about topics that nobody dared. It was a moment in which you had to be on one side or the other. It was a very difficult time to freely say what one thought. I was talking about the reality of that moment from a rock and roll point of view. What the rockers meant at that time is perhaps very difficult to understand from this reality, because there was a very abrupt marginalization. Committing any transgression was highly frowned upon by the people. In Pelo I also drew a comic and it was a lot of fun doing it.http://anccom.sociales.uba.ar/ Click on the image NIBBLE

Orejas 2024 Abril 2024 Luis Alberto Spinetta y Gustavo Cerati forman parte de los artistas a quienes el Dr. Orejas admira como a pocos. Su música, su poesía, su sentir, su aura lo han acompañado desde el principio de sus carreras y una extraña emoción le recorrió cuando se enteró de la mutua admiración que ambos sentían por el otro. Así es como nació este programa doble que comienza hoy y tiene una segunda parta la semana que viene. Nació de las ganas de escuchar intercalados a ambos en temas imborrables y disfrutar de la belleza por partida doble.. En este programa recorreremos momentos de la carrera solista dejando de lado las bandas que integraron. No encontraran en el mismo muchos comentarios, mas que los necesarios. Estaba la alternativa de explicar cada tema, su contexto y demostrar todo lo que el Dr. Orejas puede saber de todo eso. Pero para eso esta Odol Pregunta, mejor dicho, estaba; y el otro motivo por el cual mis intervenciones serán minimas es que sería dejar de lado lo importante que es esa maravillosa música que nos brindaron en vida y aún se mantiene actual, presente y nos sigue emocionando. La selección es caprichosa. Tantos temas dejados de lado pero en fin, esto es lo que el Dr. sintió que tenía ganas de escuchar y compartir. Segunda parte del programa que comenzó la semana pasada. Como dijimos entonces: la selección es caprichosa. Tantos temas dejados de lado pero en fin, esto es lo que el Dr. sintió que tenía ganas de escuchar y compartir. Editor del Noticiero de Canal 13 a comienzos de los 80, Productor en Badía & Cía, Realizador Independiente de videos, musicalizador en teatro, archivista, creador de Armusa,su canal de You Tube.Investigador y periodista musical es el invitado especial del Dr. Orejas. Porque esto es una payada donde la lucha promete ser intensa...Su nombre es Claudio Koremblit y seguiremos escuchando música con él... Koremblit En la trinchera Koremblit y el Dr. Orejas combaten los prejuicios musicales. Y discuten amigablemente a muerte una payada donde participan Feli Colina, Painkiller, Barry McGuire, Los Shakers, Los Blops, Skeleton Crew, Medicine Head, BAP, Catherine Jauniaix & Ikue Mori, Roque Narvaja y John Oswald. Desafío a tus orejas en Orejas al Universo. Primer Round Segundo Round de Otras Yerbas en Orejas al Universo. Con menos pelea. ¿Será que los gustos están coincidiendo? No lo sabremos hasta el próximo programa. Y con muchos cambios ya que volvemos a la duración original de 2 (dos) horas. Y aquí, por orden de aparición y para que no se lleven ninguna sorpresa: Them con Van Morrison, Marc Ribot, Gabriela, Henry Cow, Sting, Mateo, Gustavo "El Principe" Pena, Esteban Klisch, Dino Saluzzi, Andres Bedó y Jefferson Airplane. Pueden deducir quien eligio qué. Segundo Round Botón Home Botón Enero/Marzo 2024 Mayo 2024

Orejas 2024 Diciembre 2024 Como todos los años, repasamos lo mejor de la música internacional. En este programa recorremos los meses de enero a marzo con la intervención de músicos desconocidos y conocidos en un programa con pocas palabras y mucha música. abril junio Como todos los años, repasamos lo mejor de la música internacional. En este programa recorremos los meses de abril a junio con la intervención de músicos desconocidos y conocidos en un programa con pocas palabras y mucha música. julio agosto Tercer programa recorriendo los álbumes de música internacional, en este caso de abril a junio 2024. octubre diciembre Cuarto y último programa recorriendo los álbumes de música internacional, en este caso de octubre a diciembre 2024. Botón Octubre y Noviembre 2024 Home Enero y Febrero 2025 Botón

Orejas Show 1 Orejas Show - 2021 00:00 / 01:04 2 Orejas Show - 2021 00:00 / 01:04 3 Orejas Show - 2021 00:00 / 01:04 4 Orejas Show - 2021 00:00 / 01:04 After a long time, the Orejas Show, the recital program, returns. alt-J - Death Cab for Cutie - Eric Clapton & Friends - Janis Joplin - Jimi Hendrix - Kurt Vile & The Violators - King Gizzard & The Lizard Wizard - Los Lobos_cc781905-5cde-3194-bb3b participate -136bad5cf58d_ - Metallica - Mark Knopfler - Neil Young - Nirvana - Pearl Jam - Robert Plant - Roger Waters - The Chameleons September 2021 1 Orejas Show - Programa 1 00:00 / 01:04 2 Orejas Show - Programa 1 00:00 / 01:04 1 Orejas Show - Programa 1 00:00 / 01:04 4 Orejas Show - Programa 1 00:00 / 01:04 Soda Stereo, Levelliers, Peter Gabriel, U2, Rolling Stones, The Doors, Robert Plant, Jefferson Airplane, El Principe Pena, Charly Garcia, Nirvana, Joe Jackson, Joni Mitchell, Traffic, Spinetta 1 Orejas Show - Programa 2 00:00 / 01:04 2 Orejas Show - Programa 2 00:00 / 01:04 3 Orejas Show - Programa 2 00:00 / 01:04 4 Orejas Show - Programa 2 00:00 / 01:04 Sha Na Na - John Lennon - Jane´s Addiction - Dire Straits - REM - Neil Young - Foals - All Them Witches - Calexico - Kraftwerk - Joe Bonamassa - Leonard Cohen 1 Orejas Show - Programa 3 00:00 / 01:04 2 Orejas Show - Programa 3 00:00 / 01:04 3 Orejas Show - Programa 3 00:00 / 01:04 4 Orejas Show - Programa 3 00:00 / 01:04 From the Marambio Base, border of the homeland in the Argentine Antarctic. Surrounded by penguins we go through recitals from today and yesterday. With David Gilmour, Linkin Park, George Harrison, Band of Horses, Eric Burdon, Liam Gallagher, The Who, Piazzolla/Goyeneche, The Police, Kansas, Bob Marley, Jefferson Airplane, Marcelo Tinelli and Dion 1 Orejas Show Nac & Pop - Programa 4 00:00 / 01:04 2 Orejas Show Nac & Pop - Programa 4 00:00 / 01:04 3 Orejas Show Nac & Pop - Programa 4 00:00 / 01:04 4 Orejas Show Nac & Pop - Programa 4 00:00 / 01:04 On this occasion with recitals by Argentine musicians: Illya Kuryaki And The Valderramas, Divididos, Los Abuelos de la Nada, Las Pelotas, Los Gatos, Soda Stereo, David Lebon, Virus, Los Piojos, Almendra,_cc781905-5cde-3194-bb3b- 136bad5cf58d_ La Renga, Pappo, Memphis la Blusera, Manal, Mancha de Rolando, Leon Gieco, Sui Generis, Pedro and Pablo, Miguel Abuelo and Miguel Cantilo 1 Orejas Show - Programa 5 00:00 / 01:04 2 Orejas Show - Programa 5 00:00 / 01:04 3 Orejas Show - Programa 5 00:00 / 01:04 4 Orejas Show - Programa 5 00:00 / 01:04 The Chameleons, Focus, Baby Woodrose, Donovan, The Rolling Stones, Deep Purple, Cold War Kids, Alvin Lee, Ray Charles, James Brown, Nirvana, Janis Joplin, CSNY and The Beatles 1 Orejas Show - Programa 6 00:00 / 01:04 2 Orejas Show - Programa 6 00:00 / 01:04 3 Orejas Show - Programa 6 00:00 / 01:04 4 Orejas Show - Programa 6 00:00 / 01:04 Greta Van Fleet, Death Cab for Cutie, alt-J, The Record Company, Buddy Guy, Jack White, King Gizzard & The Lizard Wizard, Primal Scream, Tash Sultana, Manic Street Preachers, Metallica, Hot Tuna, Real Estate, Alice in Chains, Ben Harper, Shame, Nirvana, Red Hot Chili Peppers, Our Girl, Arctic Monkeys and Franz Ferdinand 1 Orejas Show - Programa 7 00:00 / 01:04 2 Orejas Show - Programa 7 00:00 / 01:04 3 Orejas Show - Programa 7 00:00 / 01:04 4 Orejas Show - Programa 7 00:00 / 01:04 The War On Drugs - Fleet Foxes - The Breeders - Gomez - Hole - Echo & The Bunnymen- Babes In Toyland - Rory Gallagher - Car Seat Headrest - Foster the People - Sonic Youth - The Byrds - Eddie Vedder _cc781905-5cde-3194-bb3b -136bad5cf58d_- Concrete Blonde - The Smashing Pumpkins - Tracy Chapman - The The - Rory Gallagher - Guns N' Roses 1 Orejas Show - Programa 8 00:00 / 01:04 2 Orejas Show - Programa 8 00:00 / 01:04 3 Orejas Show - Programa 8 00:00 / 01:04 4 Orejas Show - Programa 8 00:00 / 01:04 Big Thief, Brant Bjork, Bush, Cage The Elephant, Catfish and the Bottlemen, Death Cab for Cutie, Flora Cash, Foals, Foo Fighters, Gary Clark Jr., Goo Goo Dolls, Idles, Judah & The Lion, King Gizzard & The Lizard Wizard, Kurt Vile & The Violators, Liam Gallagher, Rolling Blackouts Coastal Fever, Snail Mail, The Cure, The Lumineers, The National, The Record Company and The Strokes 1 Woodstock 00:00 / 01:04 2 Woodstock 00:00 / 01:04 3 Woodstock 00:00 / 01:04 4 Woodstock 00:00 / 01:04 5 Extra Web 00:00 / 01:04 Woodstock 1 Extrañando al Sr. Pogo 00:00 / 01:04 2 Extrañando al Sr. Pogo 00:00 / 01:04 3 Extrañando al Sr. Pogo 00:00 / 01:04 4 Extrañando al Sr. Pogo 00:00 / 01:04 Extrañando al Sr. Pogo 1 Bonnaroo 00:00 / 01:04 2 Bonnaroo 00:00 / 01:04 3 Bonnaroo 00:00 / 01:04 4 Bonnaroo 00:00 / 01:04 Bonnaroo Glastonbury 1 Glastonbury 00:00 / 01:04 2 Glastonbury 00:00 / 01:04 3 Glastonbury 00:00 / 01:04 4 Glastonbury 00:00 / 01:04 5 Glastonbury - Extra Web 00:00 / 01:04 6 Glastonbury - Extra Web 00:00 / 01:04 Glastonbury 2022 00:00 / 01:04 keep listening and browse other pages Glastonbury 2022 En Vivo en la Argentina 1 Programa 1 - Vivo en la Argentina 00:00 / 01:04 2 Programa 1 - Vivo en la Argentina 00:00 / 01:04 3 Programa 1 - Vivo en la Argentina 00:00 / 01:04 4 Programa 1 - Vivo en la Argentina 00:00 / 01:04 1 Programa 2 - Vivo en la Argentina 00:00 / 01:04 2 Programa 2 - Vivo en la Argentina 00:00 / 01:04 3 Programa 2 - Vivo en la Argentina 00:00 / 01:04 4 Programa 2 - Vivo en la Argentina 00:00 / 01:04 1 Programa 3 - Vivo en la Argentina 00:00 / 01:04 2 Programa 3 - Vivo en la Argentina 00:00 / 01:04 3 Programa 3 - Vivo en la Argentina 00:00 / 01:04 4 Programa 3 - Vivo en la Argentina 00:00 / 01:04 1 Programa 4 - Vivo en la Argentina 00:00 / 01:04 2 Programa 4 - Vivo en la Argentina 00:00 / 01:04 3 Programa 4 - Vivo en la Argentina 00:00 / 01:04 4 Programa 4 - Vivo en la Argentina 00:00 / 01:04 2022 ¿Te acordás de MTV? 00:00 / 01:04 MTV Unplugged 1/24 Very young and naive at the age of 18, Mr. Orejas traveled to the United States. New York was the first stop. Winter. On January 24, 1969, I had tickets to see Blood, Sweat & Tears in Manhattan. He lived in the suburbs, Flushing to be exact, and that day one of the biggest snowfalls in history had fallen. But big, big. Then he walked to the train station since there were no bondis or buses in English. After the icy and slippery journey he arrived at a theater called Fillmore. The recital begins and the band that I was going to see was preceded by a group that I had not heard of and that was debuting in the United States. A skinny, tall, gangly flutist was jumping from one end of the stage to the other. He looked closely at the program and said Jethro Tull who would become one of Mr. Ears' favorites. Awesome! Then the main band came and it was good but… Despite the snowfall, Mr. Orejas came back floating wrapped in the music he had discovered. Two months later he was in San Francisco. And in San Francisco there was the Fillmore West. Here there were no seats like en Long-haired men on the floor passed a cigarette at that time unknown to the naive Mr. Ears. And onstage a flood of music spilled out through the strange-smelling smoke. It was Spirit, a great band and then, wow, Ten Years After… The Englishman Alvin Lee & Co. It's a serious thing. Blues, rock, infinite energy. The Fillmores were the temples of rock from coast to coast. They didn't last long. Enough so that the main representatives of that generation could germinate in a friendly and powerful space. NY. 1/6 Fillmore

gogabolson Jorge Pistocchi Ears to the Universe THE TEMPLE OF ART El Bolson - Rio Negro - Argentina GOGA RADIO DISCS PHOTOS MEDIA SPECIFIC AGREEMENT BETWEEN THE NATIONAL UNIVERSITY OF RIO NEGRO, THE SECRETARIAT OF CULTURE OF THE PRESIDENCY OF THE NATION AND THE GOGA CULTURAL PROJECT Among the SECRETARY OF CULTURE of the PRESIDENCY OF THE NATION, hereinafter "THE SECRETARY", with address at Avenida Alvear 1690, represented by Mr. Secretary of Culture of the Nation Mr. Jorge Edmundo Coscia, on the one hand, THE UNIVERSITY NACIONAL DE RIO NEGRO, hereinafter "THE UNIVERSITY", with address at Calle Colón 450 office 1, Viedma, Rio Negro, represented by the Rector Juan Carlos Bello and THE GOGA CULTURAL PROJECT, hereinafter "GOGA PROJECT", with address at Calle Subida Juan de Marquéz and Ruta Naciona No. 40, El Bolsón, Río Negro, represented by the owner of the brand "Proyecto Cultural Goga", Mr. Raúl Julio Rothschild, agree to enter into this specific agreement, in accordance with the Framework Agreement signed between THE SECRETARY AND THE UNIVERSITY, on October 8, 2013.----------------------------------- -------------------------------------------------- ---------------------- FIRST: OBJECT: Within the framework of this Specific Agreement THE SECRETARY AND THE UNIVERSITY agree to join forces in order to provide financial assistance and technical assistance for the completion of the "Auditorium" belonging to the GOGA PROJECT, space regional multidisciplinary culture and with provincial and federal scope.---------------------------------------- -------- SECOND: OF THE WORK: THE SECRETARY agrees to fully finance the completion work of the "Auditorium" of the GOGA PROJECT. THE UNIVERSITY, for the purposes of carrying out the work, undertakes within a period of sixty (60) days from this Agreement, to submit to THE SECRETARY the Computation and final Budget of the work to be carried out, the Specifications Sheet Complementary Techniques and Plans, necessary elements for the realization of the Bid Document corresponding to the completion stage of the aforementioned work. Once the work has been awarded in accordance with the rigorous bidding procedure, THE SECRETARIAT undertakes to transfer the amount resulting from the award of the public tender carried out, plus any price redeterminations that may correspond, within the terms established by the investment schedule to THE UNIVERSITY .------------------------------------------------- --------------------------------------- THIRD: METHOD OF PAYMENT: Once the architectural project of THE UNIVERSITY has been approved, the investment schedule must be developed in stages that will be incorporated into the present through Minutes that must be approved by the Secretary of Culture of the Nation for its transfer.-- -------------------------------------------------- -------------------------------------------------- ----------- FOURTH: DUTY OF COLLABORATION: THE GOGA PROJECT undertakes to: a) Submit at the request of THE SECRETARY and/or THE UNIVERSITY all information related to the project that is required, as well as receive inspections, exhibit places or things and provide the widest collaboration for the follow-up of its development. b) Leave expressly established in all instruments of public communication -press releases, catalogs, videos, etc.- the participation of THE SECRETARY and THE UNIVERSITY in the culmination of the Auditorium work of the "GOGA PROJECT".----- FIFTH: OWNERSHIP, USE AND/OR USUFRUIT OF THE AUDITORIUM: The parties agree that the execution of this Specific Agreement will be conditional on the signing of a complementary Act between THE UNIVERSITY and Mrs. Viviana Ducasa, in her capacity as attorney for the owners of the property object of the Agreement, which will be incorporated as an Annex and that will refer to everything related to the ownership, use and / usufruct of the "Auditorium" object of the Agreement, detailing rights and obligations of each of the parties, from the culmination of the work This agreement is subject to the fulfillment of the obligation assumed by Mrs. Ducasa for a period of up to ninety (90) days.----------------------- -------------------------------------------------- ------------------------------------ SIXTH: COORDINATION OF ACTIONS: In order to supervise the execution of this specific agreement and to guide and coordinate the activities derived from the application of this Agreement, Dr. María Elena TRONCOSO is designated as coordinator by "THE SECRETARY", National Director of Federal Action of the Ministry of Culture of the Presidency of the Argentine Nation.-------------------------------- --- SEVENTH: TERM OF THE AGREEMENT: This agreement will take effect from the signing of this document and will be valid for two years------------------------- ------------------------------- EIGHTH: DISPUTES: The parties enter into this agreement in good faith and with a spirit of collaboration and will do everything in their power to resolve through conciliation or mediation all disputes that may arise in relation to its interpretation, extension or renegotiation. If the disagreement persists and for all the purposes of this agreement, the parties submit to the jurisdiction of the National Courts in the competent Federal Administrative Litigation of the City of Buenos Aires---------- In proof of conformity, (3) copies of the same tenor and to a single effect are signed, each party receiving its own, in the City of Buenos Aires, on the eighth day of October 2013-------- -------------------------------------------------- ----------------------------------------- COMMITMENT TO ASSIGN AN INDIVIDUAL PART IN CONDOMINIUM In the Autonomous City of Buenos Aires, on December 23, 2013, between Mrs. Viviana Pilar DUCASA, DNI N”13,655,608 for herself and on behalf of her children Florencia ROTHSCHILD, DNI N° 32,783,570 and Paul ROTHSCHILD, DNI No. 31,008,751, all with address at Calle Humahuaca No. 4155, in the Autonomous City of Buenos Aires, hereinafter called "THE ASSIGNOR" and the National University of Río Negro, represented by the Rector Juan Carlos Del Bello domiciled at Calle Colón 450, office 1, Viedma, Río Negro, who accredits identity with DNI No. 8,431,234, hereinafter referred to as "THE ASSIGNEE", accrediting the parties the representation invoked with the pertinent powers, it is agreed to celebrate the present COMMITMENT TO ASSIGN AN INDIVIDUAL PART IN CONDOMINIUM. BACKGROUND: This contract is a consequence of the Framework Agreement signed between the Ministry of Culture of the Presidency of the Nation and the National University of Río Negro dated October 8, 2013; and the Specific Agreement between the National University of Río Negro, the Ministry of Culture of the Presidency of the Nation and the GOGA Cultural Project. By this last Agreement, the SECRETARY and the UNIVERSITY agreed to join efforts in order to provide financial and technical assistance for the completion of the "Auditorium" belonging to the GOGA PROJECT. The SECRETARIAT promised to fully finance the completion work of the "Auditorium" of the GOGA PROJECT, and the UNIVERSITY, for the purposes of carrying out the work, committed within sixty (60) days from the date of the agreement (October 8, 2013) to submit to the SECRETARIAT the Computation and Final Budget of the work to be carried out, the Technical Specifications Sheet and Complementary Plans, necessary for the completion of the Bid Sheet corresponding to the completion stage of the aforementioned work . That after awarding the work in accordance with the rigorous bidding procedure, the SECRETARY undertook to transfer the amount resulting from the public bidding carried out, with the price redeterminations that may correspond, within the terms established by the investment schedule of the UNIVERSITY. That once the architectural project of the UNIVERSITY has been approved, the investment schedule must be developed in stages that will be incorporated into the Specific Agreement through Acts that must be approved by the Secretary of Culture of the Nation for its transfer. That the GOGA PROJECT agrees to the duty of collaboration regarding the requirements of the SECRETARY and/or the UNIVERSITY. And, in particular, the parties agreed that the execution of the Specific Agreement would be conditional on the signing of a Complementary Act between the UNIVERSITY and Mrs. Viviana Pilar DUCASA, by itself and in its capacity as proxy for the owners of the property object of the Agreement, which will be incorporated as an Annex and which refers to everything concerning the ownership, use and/or usufruct of the "Auditorium object of the Agreement”, detailing the rights and obligations of each of the parties and the completion of the work, subjecting the Specific Agreement to the realization of the obligation assumed by Mrs. Viviana Pilar DUCASA for a period of up to ninety (90) days. That by virtue of the background information, and especially the fulfillment of the obligation assumed by Mrs. Viviana Pilar DUCASA, this ASSIGNMENT COMMITMENT OF AN INDIVIDED CONDOMINIUM PARTY is signed, subject to the following clauses: FIRST: The ASSIGNOR undertakes to assign to the ASSIGNEE one third (1/3) undivided of the property it owns over the property located on Subida Juan de Marquéz street and National Route No. 40, El Bolsón, Province of Río Negro, in condominium with her children Florencia ROTHSCHILD, and Pablo ROTHSCHILD, which will be calculated proportionally to each of the undivided parties, leaving two thirds (2/3) of the property under the ownership of the ASSIGNOR. SECOND: The ASSIGNEE increases the obligation to complete the work of the "Auditorium" belonging to the GOGA PROJECT. This obligation in charge of the ASSIGNEE is conditioned to the effective entry of funds from the Ministry of Culture of the Presidency of the Nation, which is responsible for the full financing of the work, including expenses for taxes, fees, legal stamps and deed costs, in full accordance with the provisions of the SECOND and THIRD clauses of the SPECIFIC AGREEMENT signed on 10/8/13 between the University of Río Negro, the Ministry of Culture of the Presidency of the Nation and the GOGA Cultural Project. THIRD: The ASSIGNOR will facilitate entry to the property and authorize the necessary works to complete the project in accordance with the previous clause, granting free access to what is already built for the purpose of its completion. FOURTH: The transfer deed of ownership will be granted within thirty (30) business days of having been granted the certificate de "End of Work", by the technical inspection that the ASSIGNEE determines and with the total agreement of the ASSIGNOR. FIFTH: If for any circumstance beyond the ASSIGNEE the work is not completed in its entirety, the transfer deed of ownership will be granted for a percentage equivalent to the proportion of the money effectively disbursed up to the time the work is halted. SIXTH: In the event that the ASSIGNEE does not comply with whoever is the winner of the Public Tender that will be carried out for the completion of the work, it is established that the ASSIGNEE will have nothing to claim from the ASSIGNOR party and will not be able to enforce rights of retention on the work or goods that are in the property. SEVENTH: The ASSIGNOR may not dispose of the property that is the subject of this Agreement during the term of this Agreement without the prior authorization of the ASSIGNEE. If the sale is authorized, the ASSIGNEE will have a privileged purchase option EIGHTH: In view of the characteristics and modalities of the Framework and Specific Agreements and complementary Acts, which serve as Background, and which hereby form a single body, the parties expressly agree that compliance with this commitment is totally subordinated to effective compliance. and opportune of all the obligations assumed by the UNIVERSITY and the SECRETARIAT OF CULTURE OF THE NATION. NINTH: The ASSIGNOR makes this assignment with perfect titles, free of all encumbrances and occupants, with taxes and fees paid up to the day of the execution of the deed, also guaranteeing the ASSIGNEE for eviction and sanitation of the asset object of the ASSIGNMENT. TENTH: In response to the modality and characteristics of compliance with the obligations expressed in the Agreements mentioned in the Background with respect to all parties, a CONTROL AND MONITORING COMMITTEE is formed, made up of four members, two representing the ASSIGNOR and two in representation of the ASSIGNEE, who will be in charge of the control and monitoring of the Fulfillment of the obligations assumed by the parties. On the ASSIGNOR party, Dr. Carlos Alberto TOFFOLI, DNI No. 17,080,004 and Dr. Alberto José AZUBEL, DNI No. 4,406,125, both domiciled at Calle Tucumán 1567. 8th floor "45", are appointed. CABA. The Dñdor is designated by the ASSIGNEE. Hernán Gustavo ANDRADE, DNI No. 23,234,277 and Dr. Jorge César Pío PAOLINELLI, DNI No. 11,492,910, both residing at Calle Miter 630, San Carlos de Bariloche, Province of Río Negro (Vice Rectorate Andean Headquarters UNRN) Through this Commission, the parties undertake to analyze the possibility of establishing a company for the exploitation of the common property. ELEVENTH: The parties, through their representatives in the CONTROL AND MONITORING COMMISSION, undertake to agree on a first Regulation for the use of the property and its various spaces, as well as the details that are necessary for the normal operation of the facilities. It is established that said first Regulation must respect the following basic criteria; a) Equitable distribution of the use of the Auditorium; b) Shared operation of the establishment's bar; c) Shared obligation of everything related to the conservation, care and safety of the facilities; d) Mutual respect for the modality of organization of activities of each party according to their specific objectives. Subsequently, after the transfer, the parties agree to agree on a Regulation of co-ownership. TWELFTH: For the first Regulation of use, the ASSIGNOR accepts the non-onerous use by the ASSIGNEE of the Auditorium for the study of subjects that require projections outside the room's business hours, for the programming of internal film cycles for students and teachers, for the INCCA Room functions of a subject where the students participate in all the activities related to the cinematographic exhibition, for Audiovisual Festivals organized by the UNRN and, eventually, for the installation of a TV studio and its equipment. THIRTEENTH: The amount of the tax stamp of this contract will be borne by the contracting parties in equal parts. FOURTEENTH: For the purposes of any judicial or extrajudicial matter inherent to the fulfillment of this assignment commitment, the jurisdiction of the Federal Court based in Viedma is established, excluding any other jurisdiction, for which the following legal domiciles are established: the ASSIGNOR Tucumán 1567, 8th floor "45" CABA and the ASSIGNEE at Belgrano 526, Viedma, Province of Río Negro (Rector's Office of the UNRN) In proof of conformity, two copies of the same tenor and for a single purpose will be signed, in the Autonomous City of Buenos Aires, on December 23, 2013.

Desde Víctor Jara a Los Simpsons, de Pipo Lernoud a The Beatles recorremos a traves de los podcasts de Orejas al Universo, un programa de música que cuenta historias Characters Alfonsín Artaud Belén Campodónico Bob Dylan Carlos Menem Claudio Korenblit Chabán David Crosby Diego Capusotto Donald Trump El Quinto Beatle Greta Thunberg El Che Juan Alberto Badía Lalo Mir Leandro Donoso Mamá Milei y sus perros Los Simpsons Martín, una historia gay Martín Scorsese Miguel Abuelo Miguel Cantilo Milei Superstar Pedro Saborido Phil Spector Pipo Lernoud R.D. Laing Reina Isabel Ricardo Alfonsín Sergio Aisenstein Tato Pavlovsky Víctor Jara Superman Catarina Spinetta Martín Perez Claudio Kleiman Pau y los discos

pan caliente movil Magazines The festival Testimonials The Round Ones Hikers Tribute Press monona Videos Second stage On certain mobile devices the page load may take time to display due to the loading of magazines and multimedia material. Please, be patient.... continue zaff On certain mobile devices the page load may take time to display due to the loading of magazines and multimedia material. Please, be patient.... continue Ancla 2

Recorremos exhaustivamente la música de la década del setenta hasta 1974 (continuará) a traves de 19 programas para escuchar o descargar. Ancla 1 Ancla 2 The 70's 1970 1971 1972 1973 1974 1970 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 70-2 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 70-3 70-4 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 1971 71-1 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 71-2 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 71-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 71-4 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 1972 72-1 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 72-2 72-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 1973 73-1 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-2 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-4 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 1974 74-1 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 74-2 74-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 74-4 to be continue