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  • Orejas al Universo

    Orejas al Universo, un programa de música que cuenta historias llega a su noveno año en el aire. Más de doscientos programas para escuchar o bajar. Con la conducción del Dr. Orejas con la locución de Ralph Rothschild. Hacé clic en la imagen que te interese para ingresar a los sitios Hola! Bienvenidas y bienvenidos y bienvenides Aquí unificamos el programa radial Orejas al Universo, la web de Pistocchi y Gogabolson Orejas al Universo lleva 9 años en el aire. Si tienes interés que la radio de tu ciudad lo emita podés enviar un mensaje por whatsapp. Gogabolsón es un proyecto que se detuvo hace 10 años, pero nunca se pierden las esperanzas de que se concrete. Jorge Pistocchi fue uno de los soñadores que concretó muchos proyectos que valen la pena conocer (Mordisco, Expreso Imaginario, Zaff, Pan Caliente) a la vez que una vida que vale la pena conocer. Enviando tu mail recibirás las novedades que se publiquen así como algunos regalitos como discos o videos. Tus datos no serán vendidos, la web no tiene cookies (galletitas), por lo que te enviaremos sólo lo prometido. orejas 2023 Ciclo 2023 Información del programa (clic en corchea) Next Especial 2023 ver programas anteriores

  • TELAM | Orejas al Universo

    gogabolson Jorge Pistocchi Ears to the Universe THE TEMPLE OF ART El Bolson - Rio Negro - Argentina GOGA RADIO DISCS PHOTOS MEDIA

  • Guadalupe | Orejas al Universo

    Exclusive report to Guadalupe In a unique production effort, Mr. Orejas landed an exclusive feature on the incomparable Guadalupe, the young Argentine star who is triumphing today in Mexico. Their favorite songs, their festivities, their meals in a delicious conversation.

  • Agosto 2023 | Orejas al Universo

    Agosto 2023 Superman Antes de la historia hubo una prehistoria. El rock argentino tuvo sus precursores a fines de la década del 50 y este programa nos trae una conversación con el músico Zelmar Garín que junto con periodista Víctor Tapia editaron un disco con valor antropológico. Recorremos esa época acompañados de Eddie Pequenino, Elder Barber, Ray Nolas y muchos mas El Dr. Orejas espera que este programa en homenaje a Superman lo tiente a venir a la Argentina y nos salve de todos las maldades que azotan a este ispa. Con Baby Etchecopar como Clark Kent, Viviana Canosa como Lois Lane, Javier Tulei como Lex Luthor y El Dr. Orejas Orejudo como Superman en una emisión olvidable que tranquilamente te podés perder. Le cantan a Superman: The Kinks, 3 Doors Down, Joaquín Sabina, Attaque 77, El Cuarteto de Nos y muchos antihéroes más. quinto beatle Cuantas relaciones duran 50 años? Acostumbrados a un mundo de divorcios y separaciones lo mismo sucede en el rock. Que Almendra se separó, que los Beatles se disolvieron y tantas bandas que por cansancio o peleas hicieron que cada músico se despidieran de sus bandas. A veces en buenos términos, otras recontra enemistados. El programa de hoy trata de esos grupos que desde la tierna juventud hasta la tierna vejez se mantuvieron unidos. Contra viento y marea, contra el desgaste del tiempo y transitaron juntos la juventud, la madurez y luego la tercera edad… Y siguen componiendo, tocando en vivo… John, Paul, George, Ringo y el señor Orejas develan las historias de The Beatles que no conocías. Un programa super super especial.; John, Paul, George, Ringo y el señor Orejas develan las historias de The Beatles que no conocías. Botón Home Botón

  • La Década Del 70 | Orejas Al Universo | Argentina

    Recorremos exhaustivamente la música de la década del setenta hasta 1974 (continuará) a traves de 19 programas para escuchar o descargar. Ancla 1 Ancla 2 The 70's 1970 1971 1972 1973 1974 1970 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 70-2 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 70-3 70-4 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 1971 71-1 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 71-2 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 71-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 71-4 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 1972 72-1 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 2 00:00 / 01:04 72-2 72-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 1973 73-1 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-2 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 73-4 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 1974 74-1 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 74-2 74-3 Bloque 2 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 2 00:00 / 01:04 Bloque 3 00:00 / 01:04 Bloque 1 00:00 / 01:04 Bloque 4 00:00 / 01:04 74-4 to be continue

  • Setiembre 2024 | Orejas al Universo

    Orejas 2024 Setiembre 2024 Sueños Programa referido a los Sueños, en este caso soñamos desde el Sur con Alberto Ledo, Almendra, Armando Nahuelpan, Beatriz Pichi Malen, Catupecu Machu, Charly García, Divididos, Enanitos Verdes, Illya Kuryaki And The Valderramas, Invisible, La Beriso, Las Pastillas del Abuelo, León Gieco, Los Abuelos de la Nada, Los Gatos, Manal, Miguel Cantilo, Milton Nascimento, Redondos, Soda Stereo, Spinetta y Los Socios Del Desierto, Trotsky Vengarán y Virus. Programa referido a los Sueños, en este caso soñamos desde el Sur con Alberto Ledo, Almendra, Armando Nahuelpan, Beatriz Pichi Malen, Catupecu Machu, Charly García, Divididos, Enanitos Verdes, Illya Kuryaki And The Valderramas, Invisible, La Beriso, Las Pastillas del Abuelo, León Gieco, Los Abuelos de la Nada, Los Gatos, Manal, Miguel Cantilo, Milton Nascimento, Redondos, Soda Stereo, Spinetta y Los Socios Del Desierto, Trotsky Vengarán y Virus. En este programa elevaremos nuestra vista al cielo para encontrarnos con las estrellas a quienes aportan música las siguientes estrellas: A Broken Silence, Bunbury, Charly Garcia, David Bowie, Dead Can Dance, Grateful Dead, Gustavo "Principe" Pena, Hole, Los 7 Delfines, Manal, Matthew Sweet, Soda Stereo, Spinetta, Sumo, The Beatles, The Cure, The Mission y They Might Be Giants Ancla 2 çlifford PRIMAV INFIERO A partir de este programa se suma a Orejas, Clifford Ortega, un navegante que encontró en Avenida Mark Zuckerberg y Corrientes, en el barrio de Facebook donde le llamó la atención su propuesta de humor y poesía. Así comienza el programa a tomar un nuevo rumbo que quién sabe dónde lo llevará. Y en esta primera emisión repasamos los 11 de setiembres, los de la Torres Gemelas, del golpe en Chile, de la vergonzosa sesión de diputados del veto y del Día del Maestro: Charly García. Además lecturas y música, mucha música con novedades del 2024 y aquellos temas que ya son parte de nuestra historia Un programa especial situandonos en el infierno que será tan hermosa estación. Junto al sociologo Clifford Ortega repasaremos las primaveras democráticas que han recorrido el mundo en lugares como Japón, Mexico, Sudafrica, Estados Unidos, Sudáfrica, Argentina y muchos países más. La música será fiel compañera de este programa representada por Palito Ortega, Mancha de Rolando, Charly García, Roque Narvaja, Gustavo “Príncipe” Pena, Tanguito, Banda Bostik, Santana, Pedro Aznar, Miguel Abuelo, Johny Tedesco, Manu Chao, Daniel Viglietti, Joaquín Sabina, Ratones Paranoicos, Beatriz Pichi Malen, Soda Stereo y Luis Alberto Spinetta. Botón Home Agosto 2024 Octubre 2024 Botón

  • Música | Orejas al Universo

    pure music Never has Dr. Orejas spoken so little and programmed so much music. To go in bondi with headphones, to walk in the street with headphones, to wait for the doctor with headphones. It can also be heard without headphones. The good thing is that you can download and listen without spending data. And the good thing is that it is the best that Dr. Orejas heard in his life and today he gives it to you with all his love, dear listener. 2015 2016 2017 2018 2019 2020 2021 International Record News Ears turns 1 year old Recitals besides...

  • Revista Pan Caliente

    Una revista de Jorge Pistocchi. El Festival, el show de los Redonditos de Ricota en Excursionistas, y todos los números editados para ver o descargar Pan Caliente EXPRESS gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff NIBBLE HAIR JORGE Testimonials The Round Ones Photos and videos The festival Magazines Start Finding the Pan Caliente collection from number 0 to 5, feeling the old paper, those notes that showed an Argentina different from the hegemonic media. This "discovery" has a dedication: Jorge Pistocchi. Hey, Jorge, where have you been? Well, somehow we can find it here... Pan Caliente was the idea of Jorge Pistocchi, who left Expreso Imaginario due to ideological disagreements (he did not agree that a magazine like Expreso should also be a producer of shows) and founded a magazine called "Zaff, the time magazine that It didn't come in. The editors of Zaff!! envisioned another magazine. In fact, they published those yellow magazines and another one on golf. And when John Lennon died they asked him to do an emergency special that was dripping with blood... It wasn't Jorge's job to take advantage of the circumstances and that was the end of Zaff!! A publisher fisherman, Jorge convinced by example. The important thing was to communicate, to communicate a dream... And that's how a soccer player from the San Telmo Club was like, Julio Balbi who had a printing press and Boris Krygel, who had nothing but good vibes as editors... a lot. This is how Pan Caliente was born, a total delirium. From its format to its anarchy. A magazine that hit bottom and held a festival where the main musicians of the time participated. It was called the "Hot Pan Festival to get an idea forward." But it was not enough. A gigantic forgery of tickets (it was all very naive and the tickets were so crude that a photocopy was enough to make them real) meant that despite filling the Excursionistas stadium, the funds did not appear. But unyielding Jorge began a second stage with the editor of "El Porteño". He named? Well, I name him Gabriel Levinas. Levinas, Lanata, who over the years turned to the stark right. "We were all communists when we were young" was a phrase made but true in these cases. But Jorge remained in his dreams and did not abandon them until his death on September 28, 2015. Poor as it always was. the fearsome return that filled a huge space. But how can it be? We spoke with the distributor who told us: "and well, that's how it is." Until one day I got off at a kiosk on Panamericana and Ruta I Don't Remember in the province of Buenos Aires. A depopulated place where they only passed the cars. And there I saw three Hot Breads. Multiply that by desolate roads. And in many neighborhoods of the Capital it was sold out on the first day! The dealer had to give us an explanation... And with a poker face, he said something that I don't remember, but I do remember his mischievous eyes saying: "Fuck you, do you know the Argentina we are living in?... Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. Our joy was immense until the numbers and the return arrived, First stage Primera Etapa Click on the cover to see the magazine Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. Our joy was immense until the numbers and the return arrived, the fearsome return that filled a huge space. But how can it be? We spoke with the distributor who told us: "and well, that's how it is." Until one day I got off at a kiosk on Panamericana and Ruta I Don't Remember in the province of Buenos Aires. A depopulated place where they only passed the cars. And there I saw three Hot Breads. Multiply that by desolate roads. And in many neighborhoods of the Capital it was sold out on the first day! The dealer had to give us an explanation... And with a poker face, he said something that I don't remember, but I do remember his mischievous eyes saying: "Fuck you, do you know the Argentina we are living in?... Every exit from Pan Caliente we found Jorge walking through the kiosks seeing if the magazine was distributed. And sometimes we were surprised that as soon as it arrived it ran out. El Festival Second stage Tired of falling into gray hair, disillusioned with the fact that the Excursionistas collection had been taken by resellers, I decided to leave the country. Resonances of the beginning of the Malvinas war. A people alienated with nationalist fervor. Ezeiza airport is empty. In front of me someone reads "La Razón" where in catastrophic lyrics it said that we were winning... The destination was Amsterdam but a stopover in Rio made Vivi and I stay there to wait for the matter to clear up. It was three months when we gave the second section: Amsterdam. Feeling freedom after so much repression… free joint! Unusual phone calls to Jorge (leaving condensed milk in a bain-marie, looking for a bugged phone and coming back that the can had exploded and the house where we lived with the people from Integral magazine had a sticky dulce de leche roof all over it. The good news. unyielding Jorge began a second stage with the editor of "El Porteño". He named? Well, I name him Gabriel Levinas. Levinas, Lanata, who over the years turned to the stark right. "We were all communists when we were young" was a phrase made but true in these cases. Enrique Symms replaced me as Editor in Chief, the cover was no longer in color but it had a much more powerful force than the first stage, but internal tensions began to appear. There were 3 unforgettable numbers that marked the end of Pan Caliente. Thanks Spring for the search THE FESTIVAL

  • Jorge Pistocchi | Centro Cósmico

    Jorge Pistocchi, su vida, su obra. Fue el creador de las revistas Mordisco, Expreso Imaginario, Zaff! y Pan Caliente. Sus frases, los artículos que se publicaron acerca de sus revistas y la colección completa de muchas de ellas. Youth Photo Pipo Miguel Grandpa Spinetta Peter Count Cosmic Center lavalol the baggin Mouth not everything is roses Phrases Videos Miguel Grinberg gogabolson Jorge Pistocchi Ears to the Universe MEDIA HOT BREAD zaff EXPRESS NIBBLE HAIR JORGE Start To the readers Resume Cosmico La Paternal Cosmic Center 297808_10150382143286514_84602725_n cosmico-4 1/17 Memories get blurry. Years 1984/85. How did Jorge set up the Cosmic Center in La Paternal, so I go to those who have material and memories. A huge house, parties, people who come and go, projects, clubs, typewriters refresh my memory through some photos. Joaquín Amat has many video productions that can be seen atYoutube. "...we made a very big festival, they are all things that you surely know better than me [the only participation of the Redondos in a festival is known history. Later, I formed a kind of community with other people, somewhat similar to this, but perhaps with many more people, in a very large house that we rented. It was a different project, we wanted to do a publishing house but it ended up in something else. That was in La Paternal, a place we built in '84 called Centro Cósmico La Paternal and it lasted until 1990. It was a very large house that some friends of mine had rented, and where they proposed to me to make a magazine. I had been left with a pending matter, after the many problems I had with the publications I put out, that the titles of the Imaginary Express were stolen from me, etc., etc., and I wanted to continue making a publication." Was it a big place? Yes, a house more or less similar to this one, but with many more rooms, a gigantic patio, sheds. When we wanted to agree, after a few weeks everyone slipped in and then in the end we said "let's organize as a community, a newsroom here is going to be impossible" (he laughs). And it was a very nice experience because we did it, we organized ourselves, there were many boys between mine and those of my friends, like ten. And we set up a work cooperative, we painted walls, we did various jobs, with what more or less each one knew. Decorations, whatever. We had a box in common -which we have here too- and with that we spent six years with various... (He remembers and laughs) with various incidents, some of a certain seriousness. A very heterogeneous environment was generated, so we went from hippies from El Bolsón to many heavy metals. All the tribes were there. All, yes. The V8s came at first, which later, in that house, became Hermética. We would have some very large barbecues to which the most diverse people you can think of would come: very lumpen people, very marginal, and out there intellectuals and hippies. But they all lived... See full note by clicking here The interiors of the Fontova Presidente video were recorded at the Cosmic Center. You can see it by clicking on the play of the television Lavallol Jorge and Joaquin Amat Far from his natural habitat, Jorge had landed in Lavallol. To see it you had to make a long journey. Ricchieri, Camino de Cintura to reach a modest "home", very modest. His spirit continued to fight against injustice, although on those lonely nights, anguish and depression would surely take over him. When I was left with my family without a place to live, a friend got me a house that was unoccupied in a workshop belonging to the Amat textile factory in Monte Grande, which was among the three most important in the country and gave work to more than a thousand people. The place where I went to live was called the little workshop because in relation to the factory it was. But this "little workshop", which was in charge of the manufacture of spare parts and the maintenance of the entire industrial complex, comprised a block and almost a hundred people worked. In other words, the back of my house was separated, by a sliding gate, from huge sheds full of people working. But of course, while this workshop flourished, the factory collapsed, like the rest of the productive apparatus. That's how one fine day they declared bankruptcy, kicked everyone out, put closing strips on the doors and Right off the bat I found myself alone with my wife and three children, in the midst of the oppression of the huge now empty sheds, waiting for the moment when they came to evict us. I felt the torment of seeing how once again it was necessary to renounce and leave behind everything that had been built, just like with the Express and the Cosmic Center. In this case, things were much more dramatic because the companions, most of them because of their age, would not get a job anywhere. I was always on the streets and developed defense mechanisms, but they were left in the most absolute helplessness and it seemed to me a betrayal to leave without fighting. This lasted four years from when we took over the factory with two hundred workers and transformed it into a cooperative until the moment in which they managed to finish it off. Osvaldo Quintana -The Collective Magazine When I was left with my family without a place to live, a friend got me a house that was unoccupied in a workshop belonging to the Amat textile factory in Monte Grande, which was among the three most important in the country and gave work to more than a thousand people. The place where I went to live was called the little workshop because in relation to the factory it was. But this "little workshop", which was in charge of the manufacture of spare parts and the maintenance of the entire industrial complex, comprised a block and almost a hundred people worked. In other words, the back of my house was separated, by a sliding gate, from huge sheds full of people working. But of course, while this workshop flourished, the factory collapsed, like the rest of the productive apparatus. That's how one fine day they declared bankruptcy, kicked everyone out, put closing strips on the doors and suddenly I found myself alone with my wife and three children, in the middle of the oppression of the huge sheds now empty, waiting for the moment when they came to evict us. I felt the torment of seeing how once again it was necessary to renounce and leave behind everything that had been built, just like with the Express and the Cosmic Center. In this case, things were much more dramatic because the companions, most of them because of their age, would not get a job anywhere. I was always on the streets and developed defense mechanisms, but they were left in the most absolute helplessness and it seemed to me a betrayal to leave without fighting. This lasted four years from when we took over the factory with two hundred workers and transformed it into a cooperative until the moment in which they managed to finish it off. Osvaldo Quintana - El Colectivo Magazine lavalol Photo: Uberto Sagramoso El Bolson (Photos)

  • Cuatro Capos | Orejas al Universo

    Claudio Kleiman, Martín Perez, Alfredo Rosso y Pablo Seoane en unos programas especiales donde comentan lo que se les da la gana

  • Vandalismo | Orejas al Universo

    gogabolson Jorge Pistocchi Ears to the Universe THE TEMPLE OF ART El Bolson - Rio Negro - Argentina GOGA RADIO DISCS PHOTOS MEDIA GOGA RADIO DISCS PHOTOS MEDIA VANDALISM After the closure of Goga, the cinema-theater became a free zone. It was not only vandalized when people came in to paint the windows or skate, breaking everything in their path. Windows were broken, air conditioners and other electrical equipment were stolen. Even the electricity cables were stolen. There was no healthy glass left (they were double glass), they took and/or broke doors, they even broke the acoustic panels. Nothing was left. The authorities of El Bolsón did nothing to protect a patrimony in which so much effort had been put. Today Goga is a shameful ruin.

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